Peter Debruge Chief Film CriticEdward Albee could write an argument. In “Who’s Afraid of Virginia Woolf?,” George and Martha rip into each other, showing how a couple with some wear on its tires knows just where to drive in the nail to inflict maximum damage.
Screenwriter Zac Stanford is no Edward Albee, and his low-key lover’s-spat dramedy “The Argument” pales in comparison to pretty much all the great relationship-on-the-rocks movies you can think of — “Blue Valentine,” “Marriage Story,” “Two for the Road,” to name just a few.
But we’re in a pandemic, and watching an argument with your partner is better than having one.The thing that might bring Stanford’s broken-record comedy too close to home is also its defining feature: Jack (Dan.
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