Late on in “The African Desperate,” director Martine Syms cuts away from the narrative to a montage of bucolic upstate New York imagery: rolling green fields and farmland, charming B&Bs, and village shops.
On the soundtrack, we hear audio from a viral clip of a Black man telling off his former coworkers, a fuming, embattled screed: “I quit, you can’t tell me nothing.
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