It’s been almost a year and a half since Saint Maud became one of the hottest films to emerge from the 2019 Toronto Film Festival.
British filmmaker Rose Glass’ debut feature —a deeply unsettling psychological horror following a troubled and devout palliative carer (played to perfection by Morfydd Clark) who believes she’s been sent to nurse her terminally ill client (the equally superb Jennifer Ehle) with a God-given purpose —was an instant hit among critics.
Read more on hollywoodreporter.com