Like the revelation that the dowdy French-cuisine evangelist Julia Child worked for American intelligence operations during World War II, there's something quaint and almost comic about the historical nugget upon which Jonathan Jakubowicz's Resistance is based: Before he became the most famous mime artist in history, Marcel Marceau worked in the French Resistance, forging passports and smuggling Jewish children across borders to save them from Nazi exterminators.
But though Marceau's artistic ideals are central to the film, Resistance happily avoids novelty, making its hero one credible human among many in a wartime tale that, though largely familiar in its feel, dramatizes a question that has become urgent for many in recent years: How.
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