Timothée Chalamet: Last News

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All news where Timothée Chalamet is mentioned

nme.com
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Drake takes aim at Pusha T and Pharrell on Travis Scott’s ‘Meltdown’ collab
Drake has reignited his feud with Pusha T and also taken aim at Pharrell on his new Travis Scott collaboration ‘Meltdown’.The two rappers have long taken shots at each other in their songs but their beef came to a head in 2018 when, on ‘Infrared’, Pusha-T referenced the claims that Drake used a ghostwriter called Quentin Miller. The rappers then began a short back-and-forth of diss tracks.Now, on a track from Scott’s new album ‘Utopia’ – which landed yesterday (July 28) – Drake hits out at Push again, also bringing Pharrell into the frame.He raps: “I melt down the chains that I bought from yo boss / Give a fuck about all of that heritage shit / Since V not around, the members done hung up the Louis / They not even wearing that shit.”Listen to the track below.Elsewhere on ‘Meltdown’, Travis Scott fans have been speculating that the rapper has dissed actor Timothée Chalamet on the song.At the end of the song’s second verse, La Flame makes reference to Willy Wonka, a character Chalamet portrays in the upcoming film Wonka.“Wrappin’ the cheese, wrap around me ’cause I’ve got property (Wrap, cheese, wrap) / Chocolate AP and chocolate the Vs (Vs), got the Willy Wonka factory (Vs) / Burn an athlete like it’s calories, find another flame hot as me, bitch,” he raps.Fans believe the rapper dissed the actor due to Chalamet being reality TV star Kylie Jenner’s rumoured boyfriend.
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Bob Dylan Gave Notes on Timothée Chalamet’s Bob Dylan Movie: He ‘Personally Annotated’ the Script and ‘Has Been So Supportive’
Zack Sharf Digital News Director Timothée Chalamet’s Bob Dylan movie, “A Complete Unknown,” is supposed to kick off filming in August, but don’t call it a Bob Dylan biopic. During a recent appearance on the “Happy Sad Confused” podcast (via IndieWire), the film’s director, James Mangold, said “A Complete Unknown” is “not really a Bob Dylan biopic” but a movie about “a very specific moment” in the 1960s folk scene of New York City. The film’s specificity is one reason the real Bob Dylan “has been so supportive of us making it,” the filmmaker reasoned. “The best true-life movies are never cradle to grave but they’re about a very specific moment,” Mangold said. “In this case, it might be presumptuous to call it Altman-esque, but it’s a kind of ensemble piece about this moment in time, the early ’60s in New York, and this 17-year-old kid with $16 in his pockets hitchhikes his way to New York to meet Woody Guthrie who is in the hospital and is dying of a nerve disease. He sings Woody a song that he wrote for him and befriends Pete Seeger, who is like a son to Woody, and Pete sets him up with gigs at local clubs and there you meet Joan Baez and all these other people who are part of this world.”

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