Nirvana: Last News

Nirvana‘s ‘In Utero’ has recalled being “insulted” by Courtney Love in a book.Kera Schaley plays cello on the songs ‘All Apologies’ and B-side ‘Marigold’ on the Seattle trio’s 1993 album, and has rarely spoken about her appearance.To celebrate the album’s 30th anniversary though, she appeared on the Rolling Stone Music Now podcast to discuss her experience in the studio, and a run-in with Love.Revealing that she hasn’t spoken to any Nirvana member since she appeared on the album, Schaley said: “The only thing I heard, and this is embarrassing, but I am insulted by Courtney Love in that Come As You Are book.”In the book by Michael Azzerad, ‘In Utero’ producer Steve Albini – the then-girlfriend of Schaley – reportedly labelled Love a “psycho hose beast,” to which she responded: “The only way Steve Albini would think I was a perfect girlfriend, would be if I was from the East Coast, played the cello, had small hoop earrings, wore black turtlenecks, had all matching luggage, and never said a word.”Schaley said: “She doesn’t say my name, but she makes all these references, and all my friends like are sending me this thing going, look at what she said about me. And I was like, that’s pretty catty for a so-called feminist.“So I sent her a joke letter, teasing her about it, and she called me in the middle of the night one time, and I honestly was half asleep, but her way of apologising was saying, “I’m sorry you thought I was talking about you.””Next month, Nirvana will release a 30th anniversary reissue of ‘In Utero’.

Nirvana‘s Krist Novoselic has spoken to NME about the 30th anniversary of their seminal album ‘In Utero’ – as well as the potential of using AI to complete and restore old music, and the chances of the surviving members dropping new material.Released 30 years ago today (September 21), the grunge icons’ third album would go on to be their last, with frontman Kurt Cobain taking his own life just five months later. Produced by Steve Albini and containing the singles ‘Heart-Shaped Box’, ‘All Apologies’ and ‘Rape Me’, the record proved highly influential as a merciless and uncompromising response to the phenomenal success of predecessor ‘Nevermind‘.“When you listen to it, it goes somewhere,” Novoselic told NME of the album’s enduring legacy. “It’s dark, it’s beautiful, it’s all points in between.”“It’s bittersweet.

Nirvana‘s ‘In Utero’ has been announced.The band’s final studio album was released on September 23, 1993 and featured hit singles ‘All Apologies’, which famously featured in their MTV Unplugged performance that same year, and ‘Heart Shaped Box’.On October 27, the landmark album will be reissued in several formats including a limited-edition eight LP super deluxe box set, five CD super deluxe box set, one LP + 10 inch edition, two CD deluxe edition, and a digital super deluxe edition.

Eurovision star Luke Black has returned with the buoyant and Lily Allen-inspired new single ‘I’m So Happy’. Check it out below along with our interview with the artist.Back in May, Black represented his native Serbia at the Song Contest with the political, “cyber-punk”, sci-fi and video game inspired ‘Samo Mi Se Spava‘ (also known as ‘Sleep Forever’). Now, the London-based artist has returned with a new single – inspired by the landscape, culture and music of his surroundings.“‘I’m So Happy’ is the first song I created when I moved to London to study music,” Black told NME.

Sinead O’Connor‘s cover of Nirvana‘s track ‘All Apologies’ in light of the Irish singer’s passing.Her cover of the grunge hit was featured as the seventh track on her fourth studio album, 1994’s ‘Universal Mother’. O’Connor’s version of the song also transforms the Nirvana track into an acoustic ballad and the accompanying video features O’Connor singing in front of a house.‘All Apologies’ was the second single from Nirvana’s third LP, 1993’s ‘In Utero’.

Nirvana merchandise and, needless to say, fans aren’t happy.The new selection comes under the brand’s new “Vintage” range and sees various Kurt Cobain-inspired t-shirts for sale, priced between $990 and $4,450 (£770 and £3,857). The most expensive of which is a faded black tee, which bears the artwork of their 1992 compilation album, ‘Incesticide’.While it is unsurprising that anything from Saint Laurent is going to have a much higher price point than any garments found on the high street – or in this case, the merch stands – it is important to note that the Nirvana t-shirts aren’t actually manufactured by the brand.Instead, each of the garments is an actual piece of Nirvana merchandise, which has been acquired and upsold by the fashion house.Highsnobiety discussed the range on Instagram and explained that while the price tags may seem shocking, some vintage merchandise is becoming more collectable and capable of fetching a lot of money.A post shared by HIGHSNOBIETY (@highsnobiety)“In Saint Laurent’s defense, some vintage T-shirts are worth their weight in gold,” the post read.

NME about the new BBC podcast The Rise And Fall Of Britpop – and the chances of a similar cultural phenomenon taking place again today.Launched this week, the new eight-part series sees 6 Music DJ and former NME journalist Lamacq – along with fellow BBC DJ and former Evening Sessions co-host Jo Whiley – delve deep into the rise of UK indie in the ’90s with new interviews, archive interviews and more, featuring prominent artists from the scene.To get a feel for the new series, NME spoke to Lamacq about life before Britpop, how it wouldn’t have been possible without the death of Nirvana frontman Kurt Cobain, the characters it gave us, and what caused the scene’s demise…Lamacq: “The start of the ‘90s was a little grim, grey and downtrodden. The rise of dance music through the late ‘80s and into the ‘90s was a reaction to that – and an escape from that. In musical terms, we had the shoegaze movement in the early ‘90s, which brought some quite good stuff.

Melissa Auf Der Maur has reflected on her past relationship with Dave Grohl, and shared the reasons behind their split.The former Hole and Smashing Pumpkins bassist discussed her past relationship with the Foo Fighters’ frontman in a new interview, and shared what made them part ways despite being “madly in love”.The two dated in the period of 1999 and 2001 – around the same time that Hole released their hit third album ‘Celebrity Skin’ and Foo Fighters released breakthrough record ‘There Is Nothing Left To Lose’, their third full-length album that contained classics including ‘Learn To Fly’ and ‘Breakout’.According to Auf Der Maur, what brought her and Grohl together was the fact they were “both obsessed, committed to rock music” and “non-drug addict, technically happy [and] highly functioning people”.“We were very similar and in many ways, I think our roles in Hole and Nirvana [are] what subconsciously pushed us together,” she said on Sirius XM’s Fierce: Women In Music programme.“I was just leaving Hole [and] entering this sort of like farewell finale tour with the Pumpkins. Dave was just rising up with the Foo Fighters and we had this beautiful compatible couple of years where, I mean, we were madly in love.”She continued: “We also really recognised the turning point we were both at as ’90s musicians that were very close in age, that started very young in our small cool hometowns in Montreal and DX.

Steve Albini has spoken to NME about his time recording Nirvana‘s ‘In Utero’ – as well as working with the “smart, unpretentious, and really funny” Manic Street Preachers.Speaking from his Electrical Audio studio in Chicago, the outspoken Albini – who has also worked on cult and classic records by Pixies, Breeders, Yourcodenameis:milo, Slint and PJ Harvey – said that being forever associated with Nirvana due his work on their 1993 final album ‘In Utero‘ was no albatross.“It’s totally normal, it’s perfectly reasonable,” the producer and audio engineer told NME. “If you had never heard of me before and someone is trying to introduce me to you, they are going to name the famous records that I worked on – and ‘In Utero’ is the most famous.”Albini said that working on the follow-up to the internationally successful ‘Nevermind’ was “fairly normal”, though he ensured that all knowledge of the sessions were kept secret.“There wasn’t anything out of the ordinary about the sessions,” he said.

A signed guitar once owned by Kurt Cobain has sold at auction for nearly $600,000, Billboard reports. The black Fender Stratocaster was initially listed at $60,000 but bidding on the memorabilia was fiercely contested, pushing the price up way beyond expectations.

Kurt Cobain has sold for just shy of $600,000 (£480,000) at auction.The instrument in question is a black Fender Stratocaster, which was reportedly broken by the frontman around the same time that Nirvana were releasing their now-iconic second album, ‘Nevermind’.Hosted by Julien’s Auctions, it sold on Saturday (May 20) at the Hard Rock Cafe in New York City, and exceeded all expectations by reaching 10 times the expected value. Originally, the axe was thought to bring in between $60,000 and $80,000 at the event, namely due to the period the musician used it and the details it included on the body.Not only was the Stratocaster reportedly used by the musician around 1991, but it also features signatures from all three band members – Cobain, Dave Grohl and Krist Novoselic.

Courtney Love joined The Ringer’s Rob Harvilla for the latest episode of his 60 Songs That Explain the ’90s podcast to discuss Nirvana’s 1991 mega-hit “Smells Like Teen Spirit.” On Tuesday’s two-hour, 40-minute episode, she said she became a fan of the show after hearing Rob’s episode on her own 1991 Hole hit “Doll Parts” and couldn’t resist coming on to discuss her late husband's Kurt Cobain’s most classic cut. Read Next: FBI releases file on Kurt Cobain’s death Among other revelations, Love disclosed some of the early lines that didn’t make the song’s final cut.

Courtney Love has shared some unpublished lyrics that Kurt Cobain wrote for Nirvana’s biggest hit ‘Smells Like Teen Spirit’.The Hole frontwoman was taking part in Rob Harvilla’s podcast 60 Songs That Explain The ‘90s when she shared anecdotes about her relationship with Kurt Cobain, and some lyrics that the singer had written for Nirvana‘s most famous track.The episode in question was Harvilla’s first one back, following a three-month hiatus. Taking part as a guest for the episode, Love explained how she came to be a fan of the podcast, and provided fans with an insight into the Nirvana frontman’s writing process.Alongside numerous anecdotes — including how Cobain wrote his 1993 track ‘Dumb’ in just 20 minutes when the pair were in Amsterdam — Love also shared some of his unpublished lyric ideas, originally written for what would soon become ‘Smells Like Teen Spirit’.“Some of these were in these journals, and some of them are unpublished,” she explains, proceeding to recite some lyrics.

during an Apple Music interview. “I want to beat the best. I don’t want to win the championship because it’s just me and a bunch of jabronis, to use a wrestling term.”“It’s like Michael Jordan, arguably the greatest sports competitor I’ll ever see in my lifetime,” he added.The Post reached out to Corgan for comment.The singer revealed in the interview that even though both Smashing Pumpkins and Nirvana often went toe-to-toe with each other during the 1990s, he still respected the late Nirvana frontman.“I will go down always as saying, Kurt was the most talented guy of our generation,” he said.

Billy Corgan has recalled his reaction to the news of Kurt Cobain‘s death — explaining that it felt like he had lost his “greatest opponent”.The Smashing Pumpkins frontman discussed the impact Cobain and Nirvana had on his own success in a new interview with Zane Lowe on Apple Music 1, and expressed how he missed the sense of competition he had with the grunge icons.Reflecting on the numerous influential rock groups of the ’90s, Corgan took a moment to speak on the late Nirvana frontman — explaining how his success challenged the Smashing Pumpkins to continuously improve.“When Kurt died, I cried because I lost my greatest opponent,” he told the host. “I want to beat the best.

I Want My MTV,” “completely destroyed. “I mean broken glass tables, broken televisions, a full wet-bar with every glass broken,” the book reveals.Loder’s room was junked as well.Though a smiling Loder denied doing it — MTV kicked in with Nirvana’s tour manager to cover some $30,000 worth of damage — Finnerty has her doubts: “I have a hard time believing Krist would ruin his room and then ruin Kurt’s room, too.”But that was then.

Kurt Cobain singing Hole‘s ‘Celebrity Skin’.READ MORE: In the age of AI Oasis, there’s no point being ordinaryThe original track was released in 1998 by the Los Angeles-based alternative rock band, which was founded by the Nirvana frontman’s former wife, Courtney Love, and guitarist Eric Erlandson.Now, a clip has emerged with Cobain’s vocals on the track, which has prompted mixed reactions from fans.“This version was made based on a human interpretation, but the voice was synthesized by AI. Many more to come,” poster FaustoX wrote in the YouTube description.“Whoever is offended by this version, I really hope you understand that this is not a part of Kurt’s or Courtney’s official work,” they added in a follow-up comment.

Courtney Love has remembered her husband and Nirvana frontman Kurt Cobain on the 29th anniversary of his death.Cobain died by suicide on April 5, 1994, and Love shared a photograph of him to mark the anniversary earlier this week.The photo, of Cobain’s hands, was taken by R.E.M. frontman Michael Stipe, as Love revealed.“I love beautiful hands, it’s the first thing I look at in another,” she wrote. “I love that the only photograph of Kurt that [Stipe] took, despite being a lover of all sorts of beauty, kudzu, @helenachristensen , river pheonix; dozens if not 100s of gorgeous photos of people he finds and sees their ‘Shen’ (a Chinese word of what’s in the eyes – loosely translated as ‘mojo’ but more about the ‘twinkle’)“But Micheal saw these hands.

Mark Lanegan “co-wrote” Nirvana’s closing ‘Nevermind’ track ‘Something In The Way’.An excerpt from the new book Lanegan featuring former Queens Of The Stone Age bandmate Nick Oliveri claims that the late Screaming Trees frontman helped write lyrics for the track with Kurt Cobain, which went uncredited.“Mark said he wrote some lyrics on ‘Something In The Way’ with Kurt on ‘Nevermind’,” Oliveri told author Greg Prato via Consequence. “But Kurt had played on some of Mark’s solo stuff, ‘The Winding Sheet’.“So, instead of getting paid, they just did this thing where, ‘Hey man, I added a lyric on your song and you added a lyric on my song. Let’s just call it even.

Iron Maiden skateboard that was handpainted by Kurt Cobain to raise money for charity.The skateboading legend bought the original version of the skateboard, which features the artwork for Maiden’s album ‘The Killers’, at an auction last year.It was handpainted by Cobain in 1985 and following the auction, Hawk went about tracing its authenticity.Yesterday (February 20), he released a series of replicas of the deck on what would have been Cobain’s 56th birthday as well as prints and stickers of the design, with proceeds going toward raising awareness for mental health and toward building skate parks.A post shared by Tony Hawk (@tonyhawk)Writing on Instagram, Hawk said: “In order to better understand the provenance of this ‘unicorn’ skateboard that I acquired last year, I went to Seattle to get the story directly from Cameron Ross (the original owner).“With inspiration from @thespacewitch [Frances Bean Cobain] and the help of @dupedupe, we are offering a photorealistic version of this deck in the form of actual skateboards, prints and stickers. We kept it real with the original Phillips shape and OG truck-holes, and added KC & JP signatures on the top graphic.“All proceeds from these sales will be equally split between the Jed Foundation and The Skatepark Project in order to provide resources for those struggling with mental health, and to create more public skateparks in underserved areas.

Kurt Cobain have strongly criticised a recent stage adaptation of Gus Van Sant’s Last Days.Van Sant’s 2005 film is a fictionalised account of a young musician’s final days, loosely based on the Nirvana frontman, and stars Michael Pitt as protagonist Blake. Like Cobain, Blake escapes a rehabilitation facility days before he takes his own life.