Frater Asia: Last News

Patrick Frater Asia Bureau Chief While multiple Korean TV series have connected with global audiences, Japan’s production committees, terrestrial broadcasters and talent agencies have kept their TV industry tightly focused on a local market. Anime and variety have long remained the Japanese TV industry’s best-known exports, while the premium end of the spectrum has largely escaped Japanese producers.

Patrick Frater Asia Bureau Chief James Warburton, MD and CEO of Seven West Media, one of Australia’s largest media conglomerates, has resigned following a series of scandals. He was scheduled to depart the company in December, but now exits with immediate effect following a board meeting on Thursday. In a filing to the Australian Stock Exchange, Seven West said that Jeff Howard, currently its chief finance officer, will take over as MD and CEO with effect from Friday.

Patrick Frater Asia Bureau Chief Online comic book platforms Marvel Unlimited and VIZ Manga are to begin cross-promotions that are aimed at expanding fandom in the genre. The move follows the 2022-23 collaboration between Marvel Comics and Viz Media that extended stories from the Marvel comics universe into the Japanese manga format, in a handful of titles. Subscribers to the VIZ Manga digital service can now access titles featuring fan-favorite characters including “Deadpool: Samurai,” “Wolverine: Snikt!,” “Spider-Man: Fake Red” and “Marvel’s Secret Reverse.” Later in the year other Marvel-manga crossover titles will be added including “Spider-Man: Octo-Girl” and “X-Men: The Manga: Remastered.” To launch their cross-platform cooperation, VIZ Manga and Marvel Unlimited will offer each other’s U.S.

Patrick Frater Asia Bureau Chief Disney has confirmed that Korean webtoon-to-screen adaptation “Low Life” is poised to begin production. When valuable treasure is discovered off the coast of Korea, the country’s biggest degenerates come crawling out of the woodwork in the hope of striking it big. Word spreads after a fisherman got lucky and kept a piece of the booty for himself.

Patrick Frater Asia Bureau Chief Escapade Media has come on board to take international sales rights to ‘Follow the Rain,’ a feature-length documentary about unknown species of mushroom that has enjoyed theatrical release in its native Australia. The film is directed and produced by Catherine Marciniak and follows Marciniak and Stephen Axford, her partner in production company Planet Fungi, as they explore forests and wetlands charting some of the millions of undocumented forms of mushroom, fungus and mycelium.

Patrick Frater Asia Bureau Chief “Stormy,” a documentary about former porn star Stormy Daniels, has been picked up by Blue Ant Studios for international distribution. The launch was announced on Monday, the same day that former U.S. president Donald Trump begins a criminal trial in New York for allegedly covering up hush money payments to Daniels. “Stormy,” offered as two one-hour episodes or a two-hour feature, is produced by Emmy-nominated producers Erin Lee Carr (“I Love You,” “Now Die: The Commonwealth v.

Patrick Frater Asia Bureau Chief Crime drama “The Goldfinger” was the numerical winner at the Hong Kong Film Awards, where it won six prizes on Sunday. But it missed out on the best film prize, which went to box office record breaker “A Guilty Conscience.” “The Goldfinger,” a retro financial thriller starring Tony Leung Chiu-wai and Andy Lau Tak-wah, earned a slew of technical award (cinematography, art direction, costume and make up, sound design and visual effects) as well as the lead actor prize for Leung. Two films took three prizes each: “In Broad Daylight,” an investigation into abuse at a care home, and “Mad Fate,” Soi Cheang’s grungy examination of superstition in the city.

Patrick Frater Asia Bureau Chief Oscar-winning Japanese animated fantasy “The Boy and the Heron” held on to top spot at the mainland China box office to record a second weekend win. The film, which opened triumphantly on April 3, in time for a family-oriented long weekend, fell steeply in its second, non-holiday, frame. It earned $12.8 million (RMB90.6 million), according to data from consultancy firm Artisan Gateway.

Patrick Frater Asia Bureau Chief “Kung Fu Panda 4” took top spot at the South Korean box office becoming the film that finally pushed aside local champion “Exhuma,” which had dominated for seven consecutive weeks. But it was an understated victory, rather than a triumphant one, and the exhibition industry’s $5.6 million nationwide haul was among the lowest scoring weekends this year. “Kung Fu Panda 4” earned $2.81 million between Friday and Sunday with a 50.1% market share. Over its full five day run since a Wednesday opening, it enjoyed a $5.96 million total. “Exhuma” slipped to second place in its eight weekend of release.

Patrick Frater Asia Bureau Chief Korea’s second largest generalist film event the Jeonju International Film Festival has set eight fiction films by first or second-time feature directors, for its main competition. They are “Cu Li Never Cries,” by Pham Ngoc Lan; “Junkyard Dog,” by Jean-Baptiste Durand, “La Palisiada,” by Philip Sotnychenko; “My Endless Numbered Days,” by Shaun Neo; “Oxygen Station,” by Ivan Tymchenko; “Practice,” by Laurens Perol; “The Major Tones,” by Ingrid Pokropek; and “The Permanent Picture,” by Laura Ferres. Additionally, two documentary features also compete: “After the Snowmelt,” directed by Lo Yi-Shan and “Kix,” by Balint Revesz and David Mikulan. The COVID-pandemic continues to affect filmmaking and festival selection, organizers said. “Even films planned to be made beforehand had to extend their production period due to the pandemic, and many works highlighted the limitations of the production environments, such as smaller cast numbers and minimal locations,” said chief programmer Chun Jinsu. The festival runs May 1-10 in Jeonju, a major town on South Korea’s west coast.

Patrick Frater Asia Bureau Chief Rights to “I, The Executioner,” which will premiere as a Midnight Screening at the Cannes Film Festival this year, have been picked up by South Korea’s CJ ENM. The crime-action film directed by Ryu Seung-wan (also written Ryoo Seung-wan) is a sequel to Ryu’s 2015 hit “Veteran” and in Korea goes by the title “Veteran 2.” Few details of the story have yet been disclosed, but CJ describes the film as “combining Ryu’s trademark action with observations and messages about social change.” Ryu last year enjoyed major box office success with crime comedy “Smugglers.” Hwang Jung-min, who recently enjoyed box office success in “12.12: The Day,” reprises his role from “Veteran.” He is joined in the sequel by Jung Hae-in (“Tune in for Love”) as a new member of the film’s Violent Crime Investigation Squad. “I, The Executioner” was produced by Filmmaker R & K, the production shingle owned by Ryu and his wife Kang Hae-jung, with CJ ENM as financier and local and international distributor. CJ ENM expects to give the film a theatrical release in South Korea at an unspecified date in the second half of the year. The original “Veteran” had its international premiere in a sidebar of the 2015 Toronto festival, was named best film at the Sitges genre festival in Spain.

Patrick Frater Asia Bureau Chief Rachel Perkins has been appointed as chair of the Australian Film, Television and Radio School (AFTRS) council for a period of three years. She follows previous chairs Russell Howcroft and Debra Richards. AFTRS is Australia’s leading specialist education, training and research institution, supporting excellence in Australian screen and audio storytelling. “Rachel is one of Australia’s leading storytellers, particularly when it comes to First Nations stories,” said Minister for the Arts, Tony Burke. A graduate of AFTRS, writer, director and producer, Perkins founded Blackfella Films, which has gone onto become one of Australia’s leading production companies.

Patrick Frater Asia Bureau Chief TF Entertainment, the company behind Chinese pop sensations TFBoys and Teens in Times (aka TNT), has struck a strategic alliance with Universal Music Greater China. The deal includes global digital distribution for TF Entertainment’s roster of talent and the targeting of markets outside Mainland China. The objective is to leverage parent group Universal Music Group’s global distribution capabilities and marketing network to elevate Chinese pop’s global prominence. TF Entertainment was founded in 2009 and developed a trainee system to cultivate idol groups within Chinese pop.

Patrick Frater Asia Bureau Chief Showtime, Taiwan’s second largest cinema chain, is to open eight ScreenX auditoriums across the island. Developed by Korea’s CJ group of companies, ScreenX is cinema technology that expands specially selected sequences of a film onto the left-and-right-side walls of the auditorium, creating a 270-degree panoramic experience. The first four theaters are expected to be completed before summer this year in northern, central and southern Taipei. The others will be completed by mid-2025. Among the first sites, Taichung Wenxin will bring both the inaugural ScreenX auditorium and the first EWD laser 4K projection system to Taiwan.

Patrick Frater Asia Bureau Chief Filming has begun on “Return to Paradise,” an Australian spin-off series of the global hit murder mystery franchise “Death in Paradise.” With filming in locations across Sydney and the Illawarra coastal region, the six-part whodunit is produced by BBC Studios Productions Australia with Red Planet Pictures for the ABC in association with the BBC. The BBC will screen the series on BBC One and iPlayer in the U.K.

Patrick Frater Asia Bureau Chief “Vikings” star Travis Fimmel reprises his role as Detective Cormack in a second season of Australian mystery drama series “Black Snow.” The six-part series is now shooting in Queensland, Australia, and has unveiled first-look images. “Australian film and television have never been stronger. Now, with the addition of streaming networks and their reach, I’m so proud that our local productions and their hard work can be recognized not only here, but around the world,” said Fimmel in a prepared statement. The first season of “Black Snow” was nominated as ‘most outstanding drama series’ at the 2023 Logie Awards and received two nominations at the 2024 AACTA Awards – for best drama series and best lead actor in a drama, for Fimmel.

Patrick Frater Asia Bureau Chief China’s video streamers, much like their counterparts in the west, have passed their peak growth phase and have been forced to refocus their efforts on achieving profitability. In the case of IQiyi, which is a subsidiary of tech giant Baidu but has its own stock market listing on the NASDAQ, that transition has meant reduced content spending and a more rigorous approach to quality and investment in winning shows. “To the Wonder,” which debuted on Sunday in competition at Canneseries, is a product of that less-is-more approach.

Patrick Frater Asia Bureau Chief “Snow in Midsummer,” which quietly probes the 1969 massacre of Malaysian Chinese during post-election turmoil, was named the winner of the best film for young cinema competition (Chinese-language) at the Hong Kong International Film Festival. Liang Ming was named best director for “Carefree Days,” while the film’s female lead Lyu Xingchen collected the best actress award.

Patrick Frater Asia Bureau Chief Oscar-winning Japanese animation film “The Boy and the Heron” earned a chart-topping $34.9 million between Friday and Sunday at the mainland China box office. Over its full five-day opening run, it took an even more spectacular $73 million. China was the last major territory to play the Studio Ghibli-produced fantasy in cinemas – it released in its native Japan in July and is imminently headed to streaming in many other territories – but that did not stop Chinese audiences from lapping it up. While most films release in China on a Friday, “The Boy and the Heron” was given a Wednesday outing in order to capture momentum from the Thursday-to-Saturday Qingming public holiday. Consultancy firm Artisan reports that it earned RMB248 million ($34.9 million) over the conventional Friday-to-Sunday weekend.

Patrick Frater Asia Bureau Chief Without significant new challengers, spooky Korean drama “Exhuma” held on at the top of the South Korea box office chart for the seventh consecutive weekend. Its cumulative passed the symbolic $80 million mark. The lack of strong new release titles also meant that aggregate weekend box office in Korea slipped to a lowly $5.59 million. The Choi Min-sik-starring “Exhuma” dropped roughly 50% week-on-week to record $1.59 million between Friday and Sunday, and a 28% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief Worldwide box office is headed for a marginal decline of 3% in 2024, a setback that follows three years of recovery from a pandemic era low in 2020. Gower Street Analytics, a distribution and exhibition industry consultancy, forecasts that worldwide box office this year will aggregate at $32.3 billion, down by more than $1 billion from the $33.9 billion earned in 2023. “A $32.3 billion global box office in 2024 would represent an approximate 5% decrease year-on-year (a 3% decrease at current exchange rates) from 2023. The 2024 revised estimate is 18% lower than an average of the last three pre-pandemic years (2017-2019),” Gower Street said. The forecast comes on the eve of CinemaCon, the annual National Association of Theater Owners convention, being held in Las Vegas April 8-11. While Gower Street’s forecast is for a marginal decline, it actually represents a more than $1 billion improvement on its previous $31.5 million forecast for 2024.