Benedict Cumberbatch: Last News

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Could ‘Oppenheimer’ Finally Win Christopher Nolan, Cillian Murphy and Robert Downey Jr. Oscars?
Clayton Davis Senior Awards Editor “Oppenheimer” has burst into the Oscar race. With the earnest and urgent cultural fabric of “To Kill a Mockingbird” and the philosophical measure of “The Tree of Life,” writer, director and producer Christopher Nolan’s chronicle of the creation of the most destructive weapon ever used stands as the most ambitious and vital piece of filmmaking of his career. Adapted from the book “American Prometheus” by Kai Bird and Martin J. Sherwin, “Oppenheimer” tells the complicated and morally fraught story of American scientist J. Robert Oppenheimer who led the effort to develop the atomic bomb. Nolan and his stellar ensemble of actors have amassed 27 Oscar nominations collectively throughout their careers. One of those who surprisingly hasn’t nabbed one is Irish actor Cillian Murphy, who plays the titular scientist. With dry wit and womanizing charm that effectively makes him the scientific version of Michael Fassbender in “Shame,” Murphy is an effective vehicle to lead the viewer through through reams of scientific terminology. In addition, his tour-de-force performance, which is sure to be in real consideration for best actor, is best displayed when showcasing the emotional toll such a creation can have on a person. Lead actors from competitive best picture players, especially from biopics, have been consistently recognized over the past few decades in Oscar history (see Benedict Cumberbatch for “The Imitation Game” or Christian Bale for “American Hustle”). Murphy could find his time has come after decades of memorable turns in “28 Days Later” (2002) and “Breakfast on Pluto” (2006).
nme.com
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Benedict Cumberbatch brought to tears by family tribute on Bear Grylls show
Running Wild when the broadcaster paid tribute to his late grandfather.Cumberbatch was one of the latest high profile stars to join the intrepid explorer, this time on an excursion around the Isle of Skye.The actor, whose grandfather Henry Carlton Cumberbatch was a submarine officer during WWI and WWII, became emotional when Grylls surprised him at the end of the episode.Grylls had “called in a favour” so that Cumberbatch could see and climb aboard a vessel similar to the one that his grandfather would have gone on during the wars.“My grandfather’s been playing in my mind quite a bit over the past couple of days and it felt like a very immediate connection to him and to see it was just an, ‘Oh my god shock moment’,” Cumberbatch reflected of the moment on camera.A post shared by Bear Grylls OBE (@beargrylls)He was filmed in tears saying, “I’m so moved by it” as the pair approached the sub from a larger boat.A further surprise was that Cumberbatch was allowed to enter the vessel with Grylls – something that is very rarely permitted for civilians.The 46-year-old actor’s grandfather retired from the Royal Navy in 1945 and died at the age of 65 in January 1966.On Instagram, Grylls wrote: “A powerful moment of raw emotion for Benedict Cumberbatch as we ended our @RunningWildwBG journey… Benedict’s grandfather had commanded a submarine in WW2 and I felt proud to be able to involve the @RoyalNavy & @RoyalMarines to help us end the adventure… thank you so much!….”In other news, earlier this year Cumberbatch was confirmed to be playing folk singer Pete Seeger in the upcoming Bob Dylan biopic Complete Unknown. 
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Wes Anderson says Netflix was the perfect place for his new short as “it’s not really a movie”
Wes Anderson has stated that Netflix was the perfect place for his new short film, because “it’s not really a movie”.The director, whose new film Asteroid City will arrive in cinemas later this month, has directed a Roald Dahl adaptation for the streaming service, which is set to be released later this year.Anderson’s The Wonderful Story of Henry Sugar, which is based on Dahl’s short story collection from 1977, stars Ralph Fiennes, Benedict Cumberbatch and Ben Kingsley.In a new interview with IndieWire, the director revealed that his new film will be just 37 minutes long. He said that he had wanted to adapt the short story collection for 20 years, but “by the time I was ready to do it”, the rights to Dahl’s works had been sold to Netflix.“Suddenly, in essence, there was nowhere else you could do it since they own it,” Anderson said, suggesting he only worked with Netflix because he had no choice.The director then added: “But beyond it, because it’s a 37-minute movie, [Netflix] was the perfect place to do it because it’s not really a movie.”Anderson said that he “had only a good experience with Netflix”, but added: “I’m very happy to be putting Asteroid City in cinemas.
variety.com
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Wes Anderson’s New Netflix Film Is a ’37-Minute Movie,’ Director Says: ‘I Really Want My Movies to Be Shown’ in Theaters Over Streaming
Zack Sharf Digital News Director Wes Anderson announced in an interview with IndieWire that his upcoming Netflix movie “The Wonderful Story of Henry Sugar,” based on Roald Dahl’s 1977 short story collection, will only be 37 minutes long. The film is Anderson’s second Dahl adaptation after “Fantastic Mr. Fox” and stars Benedict Cumberbatch, Ralph Fiennes, Dev Patel and Ben Kingsley. Notably, “Henry Sugar” marks Anderson’s first Netflix original. He told IndieWire that collaborating with the streamer was more out of necessity than personal preference. “In my case it’s a little bit of a weird thing,” Anderson said about partnering with Netflix. “I knew Roald Dahl since before we made ‘Fantastic Mr. Fox.’ I met Lindsay Dahl, his widow, when we were shooting ‘The Royal Tenenbaums’ like 20 years ago. For years I wanted to do ‘Henry Sugar.’ They set this story aside for me because I was friends with them. Lindsay kind of handed the torch to Luke, Dahl’s grandson. So I had this waiting for me. But I really couldn’t figure out the approach. I knew what I liked in the story was the writing of it, Dahl’s words. I couldn’t find the answer, and then suddenly I did. It’s not a feature film. It’s like 37 minutes or something. But by the time I was ready to do it, the Dahl family no longer had the rights at all. They had sold the whole deal to Netflix.”

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