With all due respect to Sally Potter’s visually sumptuous “Orlando,” the seemingly best way to adapt Virginia Woolf is through a side door.
Michael Cunningham’s novel “The Hours” works, in part, not because it’s a quasi-adaptation of “Mrs. Dalloway,” but because it stretches out the central issues of that text to see how various women across time deal with the shackles of gender and the patriarchy.
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