Guy Lodge Film Critic Even the most solidly founded of marriages can be strained and shattered by the death of a child. For handsome, wholesome Japanese couple Taeko and Jiro, however, that tragedy shows up all the fault lines that were already in their young relationship, and that’s before living ghosts of the past show up for both partners.
Koji Fukada’s “Love Life” unabashedly embraces melodramatic contrivance in its examination of modern middle-class love tested as much by social prejudices as by personal demons; it just does so with such pallid, polite reserve that its sentimentality never becomes transcendently moving.
As such, this agreeable but overlong pic finds the Japanese writer-director still struggling to regain the form of his jolting 2016 Cannes prizewinner “Harmonium.” That film was an exercise in disorienting tonal contrast and conflict, with a vein of blood-dark comedy running through severely tragic events. “Love Life,” on the other hand, is an earnest, largely humorless affair: While it’s impossible not to be affected at some level by its characters’ hellish plight, the predominant softness of tone here tends toward the wispy.
Dignified performances and assured, restrained craftsmanship see the film through to a satisfying enough resolution, but this Venice competition entry may not have the necessary impact to secure widespread arthouse distribution.
Read more on variety.com