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Kelsea Ballerini’s Performance With ‘RuPaul’s Drag Race’ Queens at CMT Awards Playfully Flouts Wave of Anti-Drag Laws
Chris Willman Senior Music Writer and Chief Music Critic During the opening monolog at Sunday night’s CMT Music Awards, broadcast from Austin on CBS, there was a comedic bit in which Kelsea Ballerini and Kane Brown exchanged anniversary presents to celebrate their cohosting of the show for the third consecutive time. Brown gave Ballerini a cowboy hat, and she reciprocated by giving him a pink hat to put on in return. At least a few audience members shared a joke about the exchange: By wearing pink, would Brown be breaking Tennessee’s recently passed law that some believe would ban most drag performances in the state, if they were back home? Viewers whose minds went there during that silly opening were just kidding — but Ballerini really went there later in the three-hour telecast, when she chose four “RuPaul’s Drag Race” queens to perform with her as she sang “If You Go Down (I’m Goin’ Down Too).” That song, off her 2022 album “Subject to Change,” is Ballerini’s anthem of female friendship — and, with the way the CMT Awards routine played out, she very much seemed to be counting drag performers as among those friends. The performance was playful and ostensibly non-political, and in a different year might not have raised very many shaved or unshaved eyebrows. In spring 2023, it was hard to read it as anything other than a statement of: If drag queens are brought down, the rest of us will be dragged down with them.
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CMT Awards Winners List and Gallery: Jelly Roll and Lainey Wilson Win Big; Megan Thee Stallion and Shania Twain Stun on Red Carpet
Chris Willman Senior Music Writer and Chief Music Critic A couple of members of a fresh generation of country music — Jelly Roll and Lainey Wilson — came away as the top victors at Sunday night’s CMT Music Awards, broadcast live from Austin for the first time. But the biggest winners may have been CMT and CBS, putting the three-hour telecast on the map as a show packed with enough performance firepower that it does merit having made the move from a cable platform to major broadcast premiere as of last year. However much the official winners may delight a core country crowd happy to see young radio and streaming favorites get rewarded, the big draw for the CBS audience was likely a series of collaborations between country stars and their pop or rock counterparts, as has been the custom for years on the rival CMA Awards. Most notable were the all-female collabs that had Carly Pearce dueting with Gwen Stefani on No Doubt’s “Just a Girl,” or Alanis Morissette trading lines with a slate of young female artists that included Lainey Wilson, Ingrid Andress, Morgan Wade and Madeline Edwards. The all-star teamings spread to those who presented, too, with Megan Thee Stallion providing the most enthusiastic introduction imaginable for “my new besty,” Shania Twain.
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