Caroline Framke Chief TV CriticSPOILER ALERT: Do not read if you haven’t seen the series finale of “Killing Eve” (“Hello, Losers”), which aired Sunday, April 10 on BBC America and AMC Plus.
In their last confrontation, Eve (Sandra Oh) and Carolyn (Fiona Shaw) sit perfectly still in an unassuming pub, eyeing the other with wary disdain as Villanelle (Jodie Comer) plays darts in the other room. “One of the great unspoken truths about life, Eve, is that people behave exactly as you expect them to,” Carolyn finally says. “Take you, for example.
You’re about to embark on some mad endgame when you know, deep down, you’re just a woman who likes an inappropriately timed croissant on a Sunday morning.”As Carolyn almost certainly expected, Eve counters: “And you are going to race me to it, even though you know deep down, you don’t have an excuse anymore.” She’s right — or at least she was, before Carolyn decides to pull a more contrarian move. “I was going to do that, yes,” Carolyn allows. “But now I’m going to behave exactly as you’d expect me to — and do something different.”As I watched the baffling final sequence of “Killing Eve,” I thought back to this exchange and wondered if this particular flavor of defiance was the show’s goal all along.
Over four seasons, it spent much of its time and energy subverting spy stories and making genuinely shocking choices that left viewers reeling.
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