Nadia Neophytou When Genndy Tartakovsky was wrapping up the final season of his Emmy-winning series Samarai Jack, he pitched an idea he’d long been playing with to his former boss at Cartoon Network, Mike Lazzo—the man who’d green-lit the Moscow-born, Chicago-based animator’s career-setting Dexter’s Laboratory, more than 20 years before.Tartakovsky’s Primal started off as an idea aimed at children from the ages of six to 11.
But as Tartakovsky’s career trajectory progressed, from Dexter’s Lab, to The Powerpuff Girls to Jack and Star Wars: Clone Wars, which earned him a further 2 Emmys, so, too, did his ability to reinterpret his idea.
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