Jon Burlingame editorDaniel Pemberton’s score for Aaron Sorkin’s “Being the Ricardos” is unlike anything he’s written to date — a surprising choice for this think-outside-the-box composer, but one that would fit comfortably in the 1950s milieu of the film itself.“I felt it needed a kind of classic score that echoed the golden age of Hollywood,” Pemberton says from his London studio. “A lot of the story is, in some ways, this dream of a perfect world, which Lucy’s searching for… the perfect home, a husband who is there.”He continues: “There is an element of nostalgia, not just looking back at these classic characters, but also a time when the identity of the country was quite different.
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