“A Mouthful of Air” opens with vibrant animation that looks as if it were hand drawn by a child – a whimsical if awkward sequence that gives the impression that the film we’re about to see may stylistically surprise us.
But it’s meant more as recurrent visual juxtaposition to the artist and lead character’s inner turmoil. These crude drawings and their purpose in the film end up paralleling the all-around simplistic approach to the demanding subject matter of director Amy Koppelman’s film.
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