Owen Gleiberman Chief Film Critic A great many people appear to have come out of “Civil War,” Alex Garland’s a-house-divided-against-itself-can-kick-highly-equipped-military-ass dystopian combat thriller, feeling all shook up.
They’re disturbed by it, unsettled by it. They experience the movie as if it were holding a violent mirror up to the simmering rage of America’s current political/spiritual/ ideological divide.
Many critics have been seriously spooked by it, and so have columnists like the New York Times’ Michelle Goldberg. The filmmaker and Facebook pundit Paul Schrader said he was scared by it.
And to judge from how many tickets the film is selling, in a $25 million opening weekend that bodes well for the future of adult dramas with topical resonance (on that score let’s all be grateful), I would guess that a solid portion of the audience was scared too.
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