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resolution, introduced by U.S. Rep.

Zig that’s delivering perhaps the best dark pop out there. A Journey from Bullying to HomeschoolingPoppy’s path to stardom was not without its challenges. She faced bullying during her school years due to being perceived as skinny and quiet.

POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive.Politics ain’t for babies, especially at the highest level, so blowing off steam by cursing like a sailor just seems to be what gets an overtaxed, under-appreciated staffer through a tough day.And this day, as it careens ahead into one disaster after another, will be especially tough for staffers, the First Lady, and POTUS himself, who never actually appears onstage. But he gets the whole shitstorm started by referring to his wife as “cunty” — and not in a good way — during a meeting with foreign dignitaries.Managing potential fallout from the flub falls to the President’s harried Chief of Staff, Harriet (Naomi Jacobson); officious press secretary, Jean (Natalya Lynette Rathnam); and, begrudgingly, the First Lady, Margaret (Felicia Curry).A million other complications, from petty to Presidential, threaten to further derail the day: determined journalist and new mom, Chris (Yesenia Iglesias), hiding out in the West Wing; an unexpected visit from POTUS’ much-younger mistress, Dusty (Sarah-Anne Martinez); and a really unexpected visit from his ne’er-do-well lesbian sister, Bernadette (Kelly McAndrew).Meanwhile, the President’s secretary, Stephanie (Megan Hill), tries to control the increasing flow of traffic in and out of the Oval Office.

The Chameleon least expects it, the roof of their house caves in, and not just figuratively.Though, without question, the sudden ceiling collapse serves as a metaphor for the fragile, imperiled state of several family members and relationships inside the Golden-Kruger household in suburban Long Island.Gathered for a “Jewish Christmas” dinner of takeout Chinese, and celebrating a milestone job offer for prodigal daughter Riz (Dina Thomas), the family had already seen the mood marred by turbulent outside interruptions.But a hole in the roof is also an actual catastrophe for everyone in the house, another WTF, post-dinner disaster in a night filled with them, meant to be played for angst and laughs — the measure of which can be hard to read in director Ellie Heyman’s world-premiere production at Theater J.Despite the awkward live execution of the roof caving in on Andrew R.

Merrily We Roll Along. Sondheim acolytes are well versed in the show’s difficult past that dates back to the original 1981 Broadway production.Hal Prince, a longtime collaborator with Sondheim, mounted the show with a teenage cast who played the characters as both their younger and adult selves. It didn’t work.

Fellow Travelers unfolds volumes of engaging plot and story in its eight hour-long episodes. At the center of it all are Hawk and Tim, two well-matched yet wildly different men, who meet and become lovers in McCarthy-era Washington, D.C.Impeccably played by Matt Bomer and Bridgerton fave Jonathan Bailey, Hawk and Tim live an intense, forbidden love.

force a vote on expelling U.S. Rep.

“I think that the reason there is so much fervor against trans people, and specifically transgender youth right now is because the opposition is deliberately taking advantage of the public’s lack of familiarity with them,” says Rodrigo Heng-Lethinen, executive director of the National Center for Transgender Equality, which is celebrating 20 years with a gala on Oct. 27. “Most Americans do not think they know someone who is transgender.

“It is understandable to look at the state of transgender rights today and feel dismayed — I get that,” says Rodrigo Heng-Lehtinen, the executive director of the National Center for Transgender Equality. “But there are really incredible leaders who are fighting back.

For musical theater lovers intrigued by the idea of a lively 90-minute pastiche of rock, soul, and ballad paired with an interesting premise involving Shakespeare and social justice, Macbeth in Stride is the show for you. With an onstage band and performance at the heart of the production, this is all about clapping along, a goodly portion of expository — some of it sung — and participation as required.For those with a shorter attention span, fear not: there are whiffs of live-concert crowd-rousing, keening gospel gatherings, and even intimate evenings in a piano bar.The question is, other than being very entertaining, does Macbeth in Stride actually have something to say?Maybe, perhaps, sort of.The concept of writer-performer Whitney White is certainly compelling: it starts with a personable and inclusive invitation to consider with new eyes the way Shakespeare writes his female characters, Lady Macbeth in particular (called Woman here).White begins by asking, who was she really? Her answer arrives through the lens of a Black woman laying claim to their world and their power.This is an intriguing premise, but anyone who knows the play will be stumped by a threshold question: why choose a character who is murderously power-mad to the point of driving herself insane? Despite a fair amount of spoken and sung angst, the answer to the question never quite surfaces, and White’s attempts to fill in the gaps never convinces.More to the point, White’s Lady Macbeth presents as too smart, capable, and 21st-century-centered to see murder as her way to power.When even the three witches query her ruthlessness, it’s time to make the message clear, but it still never quite adds up.

murder of a transgender woman earlier this month.A’nee Roberson, 30, of Northwest D.C., was struck and killed by a vehicle around 4:20 a.m. on Saturday, October 14, near the intersection of U and 9th Streets NW — just steps from several prominent D.C.

The New York Times, Johnson, whom the newspaper called “the most important architect of the Electoral College objections,” crafted arguments alleging that certain states’ changes to voting procedures during the COVID-19 pandemic were unconstitutional. Therefore, he argued, the election results from those states should have been invalidated.On Tuesday night, after being nominated, a reporter tried to ask Johnson about his role in pushing to decertify the results of the 2020 election, only to be shouted down by members of the GOP caucus, who told the reporter to “shut up.”Johnson grinned slyly, shaking his head and refusing to answer.Politically, Johnson is a tried-and-true conservative, earning a lifetime rating of 92% from the American Conservative Union and 90% from Heritage Action.He has voted against a host of bipartisan bills, including a measure to establish a January 6 independent commission, and some of the Biden administration’s chief legislative accomplishments, including a national infrastructure funding bill, the reauthorization of the Violence Against Women Act, and the CHIPS and Science Act.Earlier this year, Johnson voted in favor of raising the debt limit, but voted against a bill to avoid a government shutdown in early October.He has previously indicated, in a letter to colleagues shared to social media by U.S.

an interview with GQas the league’s first nonbinary and transgender referee.A Los Angeles native who uses the pronoun “they,” Flores worked 35 games last season, and 12 games as a non-staff official during the 2021-2022 season.When Flores first became an NBA official, the league touted an announcement that two new women referees had been added to the mostly male referee corps — something Flores found alienating, knowing that, in private, they had begun to identify as transgender.“One piece I was missing for myself was that no one knew how I identified,” they said. “Being misgendered as she/her always just felt like a little jab in the gut.”But since coming out to some of their colleagues during a preseason meeting last month, Flores now feels more at ease and less constrained, even when it comes to little everyday choices like dressing in a manner that matches their gender identity.“When I started refereeing, you had to look a certain way,” Flores told GQ.

drug-induced robbery scheme that is alleged to have led to the deaths of two gay men in New York City last year has pleaded guilty to robbery, grand larceny, and identity theft charges, according to the Manhattan District Attorney’s Office.Eddie Ashley, 30, is alleged to have been part of a scheme that targeted at least 16 nightclub patrons from September 2021 to August 2022, resulting in the overdose-related deaths of 25-year-old social worker Julio Ramirez and 34-year-old John Umberger, a political consultant from Washington, D.C. Both Ramirez and Umberger were seen leaving gay bars with a group of other men, only to be found dead hours later.Part of the scheme involved the suspects drugging their victims with a substance that made them compliant and then using their incapacitated bodies and facial recognition technology to unlock their cell phones and access bank accounts to rob them.Ashley, who faced charges related to four separate incidents, including the drugging scheme, had previously pleaded not guilty to the charges against him.On Monday, he changed his plea to guilty.Terrence Grifferty, Ashley’s attorney, confirmed his client’s guilty plea, telling NBC News that Ashley is expected to be sentenced to nine years in state prison on November 20.He is currently being held at Rikers Island jail, but declined to comment further on the case or answer whether his client had accepted a plea deal.Umberger’s mother, Linda Clary — who has been critical of how the Manhattan District Attorney’s Office has handled the case — said she was grateful that Ashley was willing to admit his guilt in the robbery scheme, adding that he should face consequences for his actions.

Overall Rating for this Program: ★★★★☆, CRITIC’S PICKThis year’s “Transitions” program kicks off with a sweet, honest portrayal of young love in Daisy Friedman’s As You Are (★★★☆☆).Millie and Piper, an inter-abled lesbian couple played by Bri Scalesse and Estefanía Giraldo, navigate their expectations around spending the night together for the first time and must reckon with their own sexuality and vulnerability as so many couples do.Although the two have an early moment of tension around Millie’s use of a wheelchair, that tension reveals itself to be about a deeper insecurity on Piper’s part. In this way, Friedman takes a refreshing approach to depicting disability on film, making sure it is present and acknowledged, but taking care to tell a three-dimensional love story around it, too.Honey & Milk (★★★☆☆) drops us into the end of a mature relationship, following the story of a couple who has decided to end their partnership and must dismantle their lives.We are dropped into the final weekend of the relationship between Grayson, who has begun to transition, and Alice, who loves and supports her partner but struggles to grieve the impending loss.While there is little in the way of narrative payoff and the short seems uncertain of exactly what it wants to build towards, the chemistry between the two is believable, it nevertheless stands as a beautifully shot portrait of a love that outlasts a relationship that must end so one half can be free to thrive.The program takes a heartrending turn with Our Males & Females (★★★★☆), a brief, deeply affecting short from Jordan.

We often take advantage of our queer privilege in ways many spend their entire lives hoping for. In Iran, a place not known for its pro-LGBTQ attitudes, queerness is something you hide, and hope never comes out, but that doesn’t erase it.

temporary restraining order directing the city of Murfreesboro and its officials, including City Manager Craig Tindall, Mayor Shane McFarland, and the Murfreesboro Police Department, not to “enforce or take any action pursuant to the provision to Murfreesboro City Code 21-71 that includes ‘homosexuality’ within the definition of ‘sexual conduct.'”The so-called “decency ordinance,” which was approved in June, prohibits people in public spaces from engaging in “indecent behavior,” displaying “indecent material,” or subjecting minors to behaviors, material, or events that are “patently offensive to prevailing standards in the adult community as a whole with respect to what is suitable material for minors.” Those found in violation are barred from sponsoring any events at a public space for a period of two to five years.Critics of the ordinance have argued that such language is overly vague and subject to wide interpretation based on individual biases or preferences.Some have also noted that the ordinance’s references to appealing to the “prurient interest” appear to be specifically targeting drag shows, with the intent of having such performances deemed as “offensive” based on the aforementioned “prevailing standards” of what constitutes “decency.”A year ago, the city started to take action targeting BoroPride over the presence of drag and open displays of LGBTQ identity.Tindall, the city manager, sent a letter to BoroPride organizers stating that he would deny future permits for the festival and drag show on government property.

Orlando (★★★★☆) are having fun onstage, and their good time is infectious. Of course, Sarah Ruhl’s frolicsome, gender-swapping adaptation of Virginia Woolf’s novel Orlando: A Biography supplies a sound blueprint for the farcical shenanigans this company puts over heartily.The play also captures the romance and scope of the novel, as well as the ripe sexuality in the tale of Orlando (Mary Myers), whose journey toward their true self spans continents and centuries.

one-minute ad, by the right-wing American Principles Project — a “pro-family” political organization that has focused much of its political messaging on opposing LGBTQ rights — alleges that if Beshear wins re-election in November, non-affirming parents will soon lose custody of their children. In the ad, “Dinner Table,” a mother, father, and teenage girl are eating dinner when the teenager says, “Mom, Dad, I’m transgender. I think I might be a boy.”“Honey,” the mother says, “you know we love you no matter what, but, you’re a girl, so why would you say that?”A short-haired woman in a black blazer appears and interrupts her.“Whoa, whoa, whoa.

KSWB.No injuries to staff, patrons, or first responders were reported. “We were extremely lucky. San Diego Fire was here in a heartbeat,” Moe Girton, the owner and manager of Gossip Grill, said.

Dicks: The Musical (★★★☆☆) is exactly the silly, sex-obsessed, do-anything-for-a-laugh (including having Nathan Lane regurgitate ham into the mouths of puppets), song-happy spoof implied by the title. And that’s why it works.“Bravely written by two homosexuals,” according to the opening credits, the film stars those very same creators, Josh Sharp and Aaron Jackson, as identical twins Craig (Sharp) and Trevor (Jackson), separated at birth.