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Drake gives up on Kendrick Lamar feud after savage Super Bowl performance: ‘F–k a rap beef’
Super Bowl halftime show, the “God’s Plan” rapper seemingly waved the white flag on their battle in his new song, “Gimme a Hug.”“F–k a rap beef, I’m tryna get the party lit/Tryna get the party lit for the bitches,” he raps on the track from “$ome $exy $ongs 4 U,” his album with Partynextdoor that dropped on Friday.After nearly a year of going toe-to-toe with Lamar, Drake wants to be a lover, not a fighter.Having come out on the losing end of the battle, Drake acknowledges that some have relished in leaving him for dead — but that he is still very much alive and kicking.“Drake elimination, fake intimidation/Take a minute, take a deep breath, have a little bit of patience/Drizzy, you amazin’, you the inspiration/You set the bar for the next generation/,” he raps to open “Gimme a Hug.”“You Neo in The Matrix, these other n—-s just Nemo in the ocean/Small fish, making kids feel emotion/Using you for promotion,” he raps, possibly alluding to Lamar using Drake for gain.Later, he continues to address the talk of his demise: “N—-s want to see RIP me on a T-shirt like I’m Hulk Hogan/I appreciate the fans rocking with me, this is just a small token.”Drake makes it clear that he is far from done despite all the shots taken at him: “‘Cause I’m really out here, filling up the itinerary ’til I’m six feet in the cemetery/Bulletproof doors so heavy, got me rollin’ ‘round like a dignitary.“Funny how it’s only bitch n—-s that are waiting on the boy’s obituary/‘Cause if I die, it’s these n—-s that become the sole beneficiary/And what the f–k are they gon’ do with it?”He then gives love to 21 Savage for supporting him through the onslaught of Drake hate: “Savage, you the only n—a checkin’ on me when we really in some s–t, brother.”Last
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Lauren Daigle sings a jazzy ‘America the Beautiful’ with Trombone Shorty at Super Bowl 2025 years after controversy
Super Bowl LIX on Sunday.The Kansas City Chiefs will face-off against the Philadelphia Eagles once again at Caesars Superdome in New Orleans, Louisiana.Louisiana artist Jon Batiste sang the National Anthem while Ledisi performed “Lift Every Voice and Sing.”Kendrick Lamar, meanwhile, is set to take the stage during the highly-anticipated halftime show.“We’re honored to work with this year’s pregame lineup to celebrate the rich musical legacy of New Orleans and the entire state,” Seth Dudowsky, head of music at the NFL, said in statement. “The Super Bowl is a rare moment to unite fans around the world, and this year’s performers will bring the energy, soul and vibrant sounds of the region to a global stage, as we kick off Super Bowl LIX with a celebration to remember.”Daigle’s performance in NOLA comes years after New Orleans Mayor, LaToya Cantrell, called for her to be removed as a performer when the city hosted “Dick Clark’s New Year’s Rockin’ Eve Celebration.”Earlier this month, the Grammy winner appeared on the “Arroyo Grande” podcast and explained why she feels vindicated as she prepares to perform on one of the biggest stages yet.“To get this moment years later, I would say for anybody watching that has had their reputations smeared in any sort of way and they are just waiting for the moment of vindication, sometimes it only takes five years,” Daigle said.In 2020, Cantrell publicly chastised Daigle after the singer gave an impromptu concert at an outdoor prayer service, hosted by Christian worship leader Sean Feucht.The event was part of Feucht’s “Let Us Worship” tour, which was also a protest against COVID-19 restrictions on churches.
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How Usher’s Super Bowl halftime show was inspired by Michael Jackson
Having already performed on the Super Bowl stage as a special guest of the Black Eyed Peas in 2011, Usher is no stranger to the halftime show. But it is another former headliner whom the 45-year-old singer has taken particular inspiration from going into Super Bowl LVIII at Allegiant Stadium in Las Vegas on Sunday night.That would be his longtime hero, Michael Jackson, who forever changed the halftime show — turning it into the biggest gig in music — when he put the “superstar” in the Super Bowl.“He absolutely revolutionized the experience like no other,” Usher told The Post.“He changed how people perceived the halftime show [because before Jackson] it was just kind of hiring, you know, local performers or whatever it might be … I really did respect that.”And Usher plans to honor Jackson’s historic moment when he follows in his legendary footsteps midway through Sunday’s showdown between the Kansas City Chiefs and the San Francisco 49ers.“It became a great inspiration behind some of the things that I chose to do with this show,” he said.Of course, Usher — who made his self-titled debut 30 years ago as a 15-year-old — has three decades of his own experience to draw from as well.But the man behind such chart-topping hits as “Nice & Slow,” “U Remind Me,” “Yeah!” and “Love in This Club” says that it won’t be all about him when he headlines the biggest stage of all.“This has been a moment that is a celebration — not just for myself but for 30 years of people who have supported me, supported my journey, supported my choice of conversation,” said Usher.
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How Kim Kardashian helped Usher bring his ‘sexy’ to the Super Bowl 2024 center stage
Super Bowl LVIII headliner on Sunday — when the Kansas City Chiefs tackle the San Francisco 49ers — it just might be a pretty unlikely one: Kim Kardashian.Usher’s “My Way” residency at the Dolby Live inside the Park MGM — which wrapped in December after 17 months and 100 shows — made him the biggest stud in Sin City.His sold-out run turned the 45-year-old superstar into a natural choice to lead the mid-game throwdown at Allegiant Stadium in Las Vegas.But before Taylor Swift had even met Travis Kelce, Kardashian proved just how powerful of a woman she is after Usher serenaded the mogul for all of social media to see in April 2023.Usher’s sexy residency went on to become the ultimate girls’ trip destination.And Jay-Z and his Roc Nation company — producers of the halftime show since 2019 — couldn’t deny the obvious after Usher was practically serenading the panties off everybody from Keke Palmer to Janelle Monáe.But Kim K. is a big reason why we’ll all be going “Yeah!” on Sunday.“I think everybody was in some way trying to figure out how to get out there and have that experience that we were working on in Las Vegas because of the serenade,” Usher told The Post.“It seemed like the place to go to celebrate with your friends, take your girls, have a good time.
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Michael Jackson was desperate to change ‘weirdo narrative’: new reveal
debuted on Amazon Music and Audible on Thursday — details how the King of Pop pored over market research in which people would make harsh comments about his looks and idiosyncrasies.“He wanted to know … I would take stacks of surveys, and some things that you or I would not be able to take as a human being — he took it all in,” said Dan Beck, who, as an executive at Epic Records, began working with Jackson right before the release of his 1991 album “Dangerous.”“At that time, some of the non-musical issues were surfacing, some of the tabloid stuff — you know, plastic surgery, all that stuff. And we were very, very concerned about these things getting in the way of Michael’s music.”“There was a concern that pop radio would turn on Michael because he was just too weird to be a pop star,” added Jay Smooth, who co-hosts “Think Twice” with Leon Neyakh.As sales of “Dangerous” were plummeting — by his lofty standards — at the beginning of 1993, Jackson set out to change “the weirdo narrative,” as Smooth describes it.“Michael and his team wanted to wash all that away and replace it with the idea that he was not just a generational talent but a historic artist in a lineage with the greats,” said Smooth.As part of that concerted “myth-making campaign,” as Smooth describes it, Jackson gave high-profile performances at Bill Clinton’s presidential inauguration gala and at the American Music Awards, where he was given the International Artist Award of Excellence — an honor that he personally negotiated for with the producers.
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Tom Brady: Janet Jackson’s Super Bowl ‘Nipplegate’ was ‘good for the NFL’
“Nipplegate” discourse surrounding the infamous 2004 Super Bowl halftime show featuring Janet Jackson and Justin Timberlake.On a recent episode of his podcast, “Let’s Go!” with Larry Fitzgerald and Jim Gray where the co-hosts were discussing Rihanna’s halftime show from Super Bowl 2023 — which saw the Kansas City Chiefs defeat the Philadelphia Eagles — Brady was asked whether the NFL players participating in the big game are able to watch the show.Brady, 45, admitted that the players are typically too focused on the game to pay attention — and brought up Jackson’s areola-flashing wardrobe malfunction as an example — saying that it was “probably a good thing for the NFL.”“[Reporters] were asking me about that, and I couldn’t even understand what they were telling me about,” Brady recalled. “They were like, ‘Did you see the halftime show?’ and I said, ‘Nah, I didn’t see anything.’ I was thinking about the game and was trying to figure out halftime adjustments.”“It took a while for us to figure out what had gone on. That’s for the fans and not for the players,” he added.The recently retired quarterback led the New England Patriots to victory over the Carolina Panthers at the Super Bowl XXXVIII and won the game’s MVP award, but what’s remembered most was the halftime performance featuring Jackson, Timberlake, Diddy, Nelly, Kid Rock and Jessica Simpson.AdvertisementThe halftime show ended with an infamous moment when Timberlake exposed Jackson’s breast while performing “Rock Your Body.”“I think, in the end, it was probably a good thing for the NFL because everyone got to talk about it, and it was just more publicity and more publicity for halftime shows,” Brady said.

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