Dressed all in black, Lilas Mayassi and Shery Bechara stand outside a restaurant while staring down at Mayassi’s phone, smiles painting their faces.
The bandmates giggle to each other as Mayassi shows Bechara pictures of a woman she met at a nightclub the previous evening.
As the two ruminate over Mayassi’s late-night excursion, a swarm of protestors rounds the street corner behind them; the demonstrators raise their fists, raise cardboard signs, and all preceding tranquility combusts into rage-fueled noise.
Continue reading ‘Sirens’ Review: Endearing Documentary About Lebanon’s First All-Female Metal Band Suffers from a Limited POV [Sundance] at The Playlist..
Read more on theplaylist.net