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‘Babysitter’ Review: A Sardonic, Lynchian, Mostly-Feminist Fever Dream [Sundance]

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A dreamlike exploration of toxic masculinity, new motherhood, and sexual awakening, Quebecois actor-director Monia Chokri debuted her second feature, “Babysitter,” at this year’s Sundance Film Festival.

While it’s unclear what “Babysitter” is actually trying to say — or even what its characters learn over the course of its plot — the film is so thoroughly sardonic that it gleefully resists any deeper meaning.

READ MORE: Sundance 2022 Preview: 20 Must-See Movies From The Festival “Babysitter” centers on Cédric (Patrick Hivon), an engineer whose world is upended when he goes viral for drunkenly kissing a female news anchor.

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