In the form-expanding documentaries of Robert Greene, the artifice of performance clears a path with higher emotional truth waiting at its summit.
Still, the distance between the two has varied. Early works such as “Fake It So Real” and “Kati With an I” extended a relatively straightforward portraiture to people in Greene’s orbit — his wrestler cousin, his teenage stepsister — whose outward-facing lives spoke to his curiosity about how images and personae can be constructed and shown.
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