Who Couldn: Last News

Ben Croll An irreverent fable that imagines a civilization’s rise, fracture and fall, Pedro Harres’ “From the Main Square” took top honors at the NewImages Festival on Friday, claiming the festival’s Grand Prize, which came with €6,000 ($6,597) in prize money. Born in Brazil and based in Berlin, Harres channeled his frustrations and heartache about his native country into a tragicomic frenzy, orchestrating a 360-degree symphony of animated antics, human folly, and shocking bursts of violence that follows an allegorical country as it speed-runs toward oblivion. The filmmaker described the project as “a collage of urban absurdities, sometimes funny, sometimes brutal, that arise in societies in the process of political polarization and environmental collapse.”

It’s been a huge week for Matt Rife!

Ben Croll Running April 5 – 9 at Paris’ Forum des Images, this year’s NewImages Festival reflects a young medium ever on the move, an ecosystem looking backwards and ahead in order to reimagine itself for the here-and-now. “We don’t want to be limited by someone else’s vision,” festival director Michele Ziegler tells Variety. “We don’t want the metaverse of tomorrow to dictate what is art and culture today. We want to stir things up.” Encompassing VR games and documentaries to mixed media installations and AR works for social media, the 13 projects competing for the NewImages top prize collectively trace the wider currents remaking a protean industry – while this slightly smaller selection compared with previous years reflects a young festival itself undergoing some change.

Ben Croll Paris-based XR distributor Diversion Cinema has scooped up a pair of award-winning titles, adding director Singing Chen’s “The Man Who Couldn’t Leave,” and both director Thierry Loa’s “21-22 China” and his follow-up “21-22 USA” to a premium catalog of prestige immersive fare. Produced by The Walkers Films and Outland Film Production, “The Man Who Couldn’t Leave” won the top prize at last year’s Venice Immersive and will be presented in competition at this year’s NewImages Festival. Directed with aplomb by Singing Chen, the heartbreaking docudrama recounts the history of political repression in mid-century Taiwan, filling a 360 screen with handsome chiaroscuro compositions supporting classical film language.

Vivienne Chow Taiwan at Venice 2022 — Venice Immersive Competition “All That Remains” – Director: Craig Quintero Among the latest explorers in the VR realm is Riverbed Theatre, a “total theater” company that was formed in Taipei in 1998 and combines visual and performing arts. “All That Remains” is directed by the company’s artistic director Craig Quintero. The film challenges audiences’ perceptions of truth by questioning the possibilities beyond the everyday patterns that are constructed from known facts and familiarity. The idea is to nudge viewers out of their comfort zone. It positions itself as a meditation on the malleability of facts and the increasingly fluid boundary between truth and fiction as humans are facing unprecedented alienation from each other. The film was financially backed by a grant from the Taiwan Creative Content Agency (TAICCA). 

Billie Eilish is looking out for her fans.

Billie Eilish once again made it clear that she prioritizes the health and safety of those who come to her shows when she stopped her concert at the State Farm Arena in Atlanta, Georgia, on Saturday, to get medical aid for someone in the crowd.Eilish — who is currently on the road for Happier Than Ever, The World Tour — noticed that one concert-goer was struggling to breathe, and the singer paused the concert to find out exactly what was going on.«You need an inhaler?» Eilish asked the fan, before turning back to her crew. «Do we have an inhaler? Can we just grab one?»Addressing the concert goer in need, Eilish assured them, «It’s OK, we got one.» She also told those near the fan, «Give her some time.