Paul Epworth: Last News

The Kills have shared a cover of Billie Eilish‘s song ‘Happier Than Ever’ from their upcoming EP ‘Happier Girls Sessions’.The duo – comprising Alison Mosshart and Jamie Hince – delivered an acoustic rendition of Eilish’s 2021 single during an appearance on US radio station Sirius XM last year.Now, the band have reimagined the track once again at Grammy-winning producer Paul Epworth’s Church Studios in London for a new physical and digital EP.The five-track collection will also contain “non-electric” versions of ‘My Girls My Girls’, ‘103’, ‘New York’ and ‘Better Days’ from The Kills’ latest album ‘God Games’ – which was co-produced by Epworth and Hince.‘Happier Girls Sessions’ is set to arrive on streaming platforms this Friday (September 20) via Domino. Additionally, fans can pre-order a special seven-inch vinyl edition (out November 8).Speaking about how The Kills’ cover of Billie Eilish came about, frontwoman Mosshart explained: “It’s all Sirius XM’s fault.

Bloc Party have announced a one-off London show to celebrate the 20th anniversary of their debut album ‘Silent Alarm’ – find all the details below.The band are set to play their biggest concert to date at Crystal Palace Park in London on Sunday, July 7, 2024. Kele Okereke and co.

Royal Blood frontman Mike Kerr has spoken to NME about the confidence awarded him by Queens Of The Stone Age‘s Josh Homme, and how that helped to shape their new album ‘Back To The Water Below’.The Brighton rock duo release their “instinctive” fourth album ‘Back To The Water Below’ this Friday (September 1), after an intimate launch show at Camden’s Electric Ballroom in London tomorrow.While this record is self-produced by Kerr and drummer Ben Thatcher, previous album ‘Typhoons’ was co-produced by Paul Epworth and Homme. Speaking to NME, Kerr spoke of how working with Homme – particularly on previous album single ‘Boilermaker‘ featuring on Homme’s 2019 side project ‘The Desert Sessions Vol 11/12‘ – and the advice from the QOTSA frontman helped him put together new material.“Josh Homme said, ‘If you expect anything from music, you expect too much’,” said Kerr. “Tomorrow is never promised, and I’m amazed we’ve got this far and still get to do this.“We never had any ambitions to play this venue or do that tour.

NME about the fresh creative approach that made their long-awaited sixth album possible The Kills have shared new single ‘103’ and announced details of their long-awaited sixth album ‘God Games’.Last month, the duo comprised of vocalist Alison Mosshart and guitarist Jamie Hince, teased their new album with the release of a dual single ‘New York’/’LA Hex’. ‘New York’ saw the pair merging their trademark, gritty rock and roll sound with cinematic horns and rattling rhythm, while ‘LA Hex’ saw them layering warped trumpets and choral harmonies on top of a stuttering beat.Today (August 30), along with the announcement of ‘God Games’ – their first album in seven years since 2016’s ‘Ashes & Ice‘ – the band have shared the album’s third single ‘103’, which Mosshart has described as a “dark twisted love song”.

Every Thursday, we here at Official Charts round up the biggest New Releases coming your way across music and home entertainment. 

Rob Moose has shared a new version of ‘Wasted’, a collaboration with Phoebe Bridgers. Check it out below.While the song dates back to 2019 and while Bridgers has performed it live, this is the first time the song has been released.

Arlo Parks has enlisted Phoebe Bridgers for her latest single ‘Pegasus’, taken from her forthcoming second album, ‘My Soft Machine’.The song, produced by Paul Epworth (Adele, Florence and the Machine), Brockhampton’s Romil Hemnani, and Baird, features Bridgers singing delicately within the chorus and the fourth verse. The accompanying music video was directed by Bedroom at Compulsory Film.“’Pegasus’ is about experiencing the warmth and lightness of good love for the first time,” said Parks.

Over the past decade, Lil Silva has achieved a lot. In 2010 he broke through as a defining producer of the short-lived but much-loved U.K. funky scene, with his Night Skanker EP held up as a classic of the underground electronic sub-genre.

Wolf Alice have teased a possible collaboration with Paramore’s Hayley Williams.Writing on social media, a fan asked Wolf Alice if they had seen that Williams spoke about them on her Everything Is Emo BBC Sounds podcast.In that, Williams shared her love of the band and played their ‘Blue Weekend’ song, ‘How Can I Make It OK?’“I cannot imagine Ellie [Rowsell’s] voice live,” Williams said of the Wolf Alice frontwoman in the podcast. “It is insane on the album.

Rina Sawayama has dropped a glitzy video for the track, ‘This Hell’.The visual, directed by Ali Kaur, depicts the singer getting married in a lavish wedding, all while drinking, line-dancing, and playing air guitar. “We’re burning up together, baby, that makes two / Cause the devil’s wearing Prada and loves a little drama / This hell is better with you,” she sings on the track’s euphoric chorus.‘This Hell’ was first shared last month as the lead single to her new album, ‘Hold The Girl’.

Adele – has spoken out on the issue of financial barriers within the music industry.In a new interview with The Telegraph, Epworth warned of the lost potential that comes with those of underprivileged backgrounds attempting to break into the business. “Because of cuts in funding, youth club closures, venues closing and growing hardship, it’s getting harder and harder to get into the creative industries unless you already know somebody who can advise you or offer you an internship,” he said.“If you’re a kid from an underprivileged background without those links, you’ve got no hope of fulfilling your dreams of a job in music.”The English producer went on to put his support behind London’s Ivors Academy, a music academy who are offering a new two-year diploma in Creative Entrepreneurship aimed at students aged 19 and over.

Rina Sawayama has released ‘This Hell’, the first single from her new album ‘Hold The Girl’, which she announced earlier this week. She has also announced UK and Ireland tour dates for the autumn.“I had so much fun writing ‘This Hell”, she says of the Paul Epworth produced track.

Rina Sawayama has shared the first single from her forthcoming album ‘Hold The Girl’.Produced by Paul Epworth, ‘This Hell’ is described as a “joyous and roaring slice of pop-meets-country” which is “awash with glam rock riffs and lyrics that are peppered with tongue-in-cheek one-liners shouting out a pantheon of gay icons – Britney [Spears], Whitney [Houston] and Princess Di,” in a press release.“I had so much fun writing ‘This Hell,’ said Sawayama. “The past couple of years I’ve been listening to lots of female country singers and wanted to write a euphoric and tongue in cheek country pop song.

Thania Garcia Following her critically acclaimed 2020 debut “Sawayama,” Rina Sawayama has revealed a sophomore album. “Hold the Girl,” is due for release on Sept.

Wolf Alice have launched a new series of mini-documentaries to accompany their upcoming ‘Blue Lullaby’ EP – check out the first instalment below.The North London band released a “lullaby version” of their 2021 single ‘The Last Man On Earth’ last week. It’s one of four ‘Blue Weekend’ tracks to have been given a stripped-back reimagining for the aforementioned four-track collection, which arrives on June 24 via Dirty Hit (pre-save here).Today (May 10) Wolf Alice posted the first episode of the Stroma Cairns-directed Making Blue Lullaby.

When a producer such as Barbara Broccoli flies to your concert and hands you 23 pages from the next Bond script, you could say you’ve landed the job of writing the pic’s theme song.

As the Oscars wrestle with grabbing a larger millennial audience, the dissing of tentpoles in the Best Picture category continues this year. In addition to AMPAS voters overlooking the sixth highest grossing movie ever at the global box office, Sony/Marvel’s Spider-Man: No Way Home ($1.77 billion) for Best Picture, they also snubbed Daniel Craig’s swan song as James Bond in MGM/UAR/Eon’s No Time to Die in that slot as well.

She insisted on picking music from demo sessions, and incredibly her pitch and power and passion were so perfect that most of the vocals on 21 remained untouched on the final release.With sessions in LA and London, Adele battled with the desire to stay “private” while “sharing with millions and millions” her most intimate thoughts on her break-up.One of the album’s top engineers, Andrew Scheps, today reflects on how 21’s tunes went beyond heartbreak anthems, and were a “real woman talking about a real break-up in a real way”.Multi-Grammy winning Scheps reveals Adele took charge of much of the process despite working with top creatives like Paul Epworth, Dan Wilson and Rick Rubin.Scheps says that audiences fell in love with the star, who has

Paul Epworth has opened up about his work with Adele over the years in a new interview.Epworth, who co-wrote ‘Rolling in the Deep’ and the Oscar-winning Bond song ‘Skyfall’ with Adele, told The Times that working with Adele brings new pressures as a result of the early success the pair enjoyed.“Every time there’s a little bit more pressure,” Epworth said. “It comes from the fact the first f***ing thing we did was ‘Rolling in the Deep.’“There’s more expectation from her and from me.