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Cannes Review: Ruben Ostlund’s ‘Triangle Of Sadness’
The titular Triangle Of Sadness in previous Palme D’Or winner Ruben Ostlund’s current Cannes competition entry, we’re told, is the small space between the eyebrows and the bridge of the nose where nasty, aging lines register an accumulation of inconvenient emotions that, quite frankly, don’t sell a suit on the catwalk. “Do you think he needs Botox?,” mutters a model casting agent as Carl (Harris Dickinson) — who, being on the wrong side of 20, should worry — struts his stuff. He will soon find himself at a fashion show where a huge neon screen announces “Everyone is equal!” That’s nonsense, obviously. Carl can’t even find a seat.