Pablo Sandoval: Last News

Pablo Sandoval Jalmari Helander’s WWII action thriller “Sisu” has made good on its upbeat reception at Toronto Midnight Madness – Variety called it “outrageously entertaining” – winning the top award at this year’s Sitges – International Fantastic Film Festival of Catalonia which is showing, like genre itself, clear signs of expansion.  The over 70,000 tickets sold at 2022’s Sitges were 10% up on 2019, and an all-time record. Sitges guests stood at 610, also the biggest figure ever, announced  Mònica García Massagué, director of the Sitges Foundation.  One of the other big winners at Sitges was “The House of the Devil’s” Ti West, with “Pearl,” a prequel to porn shoot slasher “X” which plays like a cross between “Psycho” and “What Ever Happened to Baby Jane?,” Variety announced in its review.

Pablo Sandoval As earning significant profile for shows in a packed marketplace has become one of Europe’s most pressing industry concerns, a new and ambitious TV series festival is launching in Cadiz, southern Spain, as an initiative of Mediaset España and backed by shows from other key players on the Spanish TV scene, such as The Mediapro Studio and Movistar Plus+. Speakers announced by the festival include Peter Morgan’s “The Crown,”“Billy Elliot’s” Stephen Daldry and “Fleabag” creator Phoebe Waller-Bridge.

Pablo Sandoval Driving into Spanish-language movies and series, Amazon Studios is hoping to repeat the success of “Argentina, 1985” with big Spanish period production “Hildegart,” starring Najwa Nimri (“Money Heist,” “Locked Up”) and Alba Planas (“Skam España”), which wrapped production Aug. 19 in Madrid.

Pablo Sandoval “Los pequeños amores,” the latest film from Celia Rico who made a splash at the 2018 San Sebastian Festival with “Journey to a Mother’s Room,” has been acquired for international sales by Spain-based Latido Films. Produced by Barcelona-based Arcadia Motion Pictures, which co-produced Rodrigo Sorogoyen’s 2023 Goya winner and box office breakout “The Beasts, and France’s Noodles Production (“One Year, One Night”), Rico’s second feature is set in a bucolic countryside. It weighs in as a mother-daughter two-hander sparked after strongly independent mother Ani falls over walking the dog and is forced to use a wheelchair to get around. 

Pablo Sandoval The Sitges Film Festival, the biggest genre film event in Europe, has unveiled its Sitges Fanpitch and WomanInFan winners as the Catalan fest, one hour’s drive south of Barcelona, rapidly ramps up its industry program. Sitges Fanpitch feature film winners were “Bloody Mary,” “Rain Catcher” and “Krampusnacht.”  “Super-Over” (“Superada”) scooped the Sitges Fanpitch Scripted Series award. Spanish director Joseph Díaz “Bloody Mary” nabbed the Blood Window – Spanish Screamings plaudit for a tale of female empowerment as heroine Mary is beaten to death by a cult leader, only to be possessed by the vengeful spirit of ancestor Helena, burnt at the stake for witchcraft.

Pablo Sandoval Selected for main competition, “Pornomelancolía” premiered at San Sebastián over the festival’s first weekend. A Latin American buzz title at the festival last year when it played in pix-in-post section WIP Latam, “Pornomelancolía” opens a window onto the behind-the-scenes life of a porn influencer, Lalo. But, Argentine director Manuel Abramovich – who won the 2019 Silver Bear at Berlin with his short film “Blue Boy” – told Variety, “Pornomelancolía is not a film about pornography, it is a film about how we face the gaze of others.” “Pornomelancolía” was formed as part of 2018’s Ikusmira Berriak, a residency program in San Sebastian which is one of Spain’s foremost development labs. The film is lead produced by Gema Films in Argentina, with Brazil’s Desvia Filmes, Bordeaux-based Dublin Films and Mexico’s Marthfilms. Luxbox handles international sales; Filmin will handle distribution in Spain.

Pablo Sandoval Set to be unveiled at this week’s San Sebastian Europe-Latin America Co-Production Forum, “Bajo el Mismo Sol” has secured a first co-production deal ahead of the festival.  Argentina’ Pucará Cine has boarded the project, reteaming with lead producer Wooden Boat Productions in the Dominican Republican on director Ulises Porra’s third feature. Both production companies co-produced Porra’s most recent movie, “Carajita” (2021), co-directed by Silvina Schnicer, which won the New Directors award at last year’s San Sebastián, swept Guadalajara, and collected hardware at Argentina’s Mar del Plata and the Miami Film Festival.

Pablo Sandoval World premiering at the Cannes ACID showcase, “Polaris” explores the intimate relationship between two sisters, Hayat and Leila. The film, set between the isolated Northern Sea and warm, well-connected France, aims to bring a human perspective to this tale of sisterhood set against dramatic land- and seascapes.“Polaris” marks the doc feature debut of Spain’s director Ainara Vera whose experience includes workings a first AD and co-editor on several of Victor Kossakovsky’s productions, including the Berlinale 2020-selected  “Gunda.”Vera and Hayat met on the shoot of another Kossakovsky movie, “Aquarela,” during which the two fostered a bond, with Hayat serving on Kossakovsky and Vera’s sailors crew.

Pablo Sandoval Few movies are as awaited at this year’s Málaga Festival as Daniel Guzman’s “Canallas” (“Monkey Business”) which world premieres in competition this March 19. It marks the follow-up by Guzmán, an acclaimed actor-turned writer-director, to his notable debut “Nothing in Return” which scored best picture, director and a Critics’ Prize at 2015’s Malaga Festival, going on to scoop Spanish Academy Goyas for new director and breakout actor, the latter for Miguel Herrán. “Canallas” also reps the second original movie production from Movistar Plus, as Spain’s industry looks to the pay TV/SVOD arm of telco giant Telefonica to co-produce some of the biggest movie plays in the country.  Though the subject, setting and tone of “Canallas” could hardly be different from Movistar Plus’ debut movie outing, Alejandro Amenabar’s “While at War,” “Canallas” gives further clues to what kind of movies Movistar Plus is willing to sink money in. It’s clearly the work of an auteur, Guzmán typically meshing reality and fiction, casting a childhood friend, Joaquín González, as himself, a high flying entrepreneur – or so high imagines himself –  still living with his mum in a high rise in a modest outer-periphery big city ‘burb. When González and his family – played by his real non-pro family – face eviction, he turns to childhood friends Brujo and Luismi for help. Things were already going wrong.