Pablo Fendrik - celebsbar.com

Constanza Arena, the former executive director of CinemaChile, has established Agencia La Luz, an agency and project incubator that will represent in international markets many of Chile’s foremost writing, directing and acting talents. Many writers are connected to Chile’s fast-growing premium drama/audio scene. Julio Rojas, one Agencia La Luz client, created and wrote “Case 63,” Spotify’s most-listened-to scripted original podcast in Latin America, with an English-language version I the works starring Julianne Moore and Oscar Isaac, and co-wrote Pablo Fendrik’s Latino sci-fi series ‘The Shelter,’ from Starzplay, Pantaya, Fabula, Fremantle.

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Jack the Ripper Series, Transplanted to America and Starring Demián Bichir, Shooting for ViX, Larrain Brothers, Movistar Plus+ (EXCLUSIVE)

Anna Marie de la Fuente The infamous serial killer Jack the Ripper has been transplanted to America in ViX Original Series “El Dentista” (“The Dentist”) (working title) with Oscar-nominated Demián Bichir (“A Better Life”) in the titular role. Behind-the-scenes pics of the series, now shooting in Mexico, have been exclusively shared with Variety. Based on the novel by prominent Chilean scribe Julio Rojas, creator of podcast sensation “Caso 63” and a co-writer on Pablo Fendrik’s “El Refugio,” the period thriller series is produced by Oscar-winning brothers Pablo and Juan de Dios Larrain (“A Fantastic Woman,” “Jackie,” “Spencer”) and their powerhouse shingle, Fabula, along with the top Spanish pay TV/SVOD service Movistar Plus+, which will also handle international sales.

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‘Roma’ Producer Nicolas Celis’ Boards ‘Freeland,’ Written by ‘Caso 63’s’ Julio Rojas and Katina Medina Mora’s First English-Language Pic (EXCLUSIVE)

Anna Marie de la Fuente “Roma” producer Nicolas Celis’ of Pimienta Films is coming on board as lead producer of “Freeland,” the first English-language pic by “Emily in Paris” director Katina Medina Mora, Variety learned at Madrid forum Iberseries & Platino Industria. To be co-written with Chilean scribe Julio Rojas, creator of podcast sensation “Caso 63” and a co-writer on Pablo Fendrik’s “El Refugio,” the project was put together by producer Nestor Hernández, a former Sony and HBO development exec for Latin America, who attended the San Sebastian Film Festival in September to present the project.

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‘Instructions Not Included’s’ Monica Lozano Boards ‘Cepeda,’ from ‘Caso 63’s’ Julio Rojas, ‘Allende’s’ Nicolas Acuña (EXCLUSIVE)

John Hopewell Chief International Correspondent Mexico’s Mónica Lozano, producer of Alejandro González Iñarritu’s “Amores Perros” and Eugenio Derbéz’s “Instructions Not Included,” has boarded “Cepeda,” an envelope-pushing Mexico-set procedural, turning on a Mexican cop who’s an Indigenous woman and great at her job. Development over the last two years has been financed by Acuña’s Chile-based Promocine.

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Chile’s Julio Rojas Penning First RomCom After Podcast Hit ‘Case 63’ (EXCLUSIVE)

Anna Marie de la Fuente Chile’s preeminent scribe Julio Rojas, whose serial podcast “Case 63” was Spotify’s most popular podcast in Latin America and was adapted into English with Julianne Moore and Oscar Isaac starring, is writing his first romcom after the global success of “Case 63.” Titled “Detras de ti” (“I Got Your Back,” working title), the upcoming project is being co-produced by Spain’s EvaFilms and David Naranjo’s Pris & Batty, best known for its hit comedies “8 apellidos vascos,” “8 apellidos catalanes” and “Toc toc.” “Ever since I listened to ‘Case 63,’ I was very keen to work with Julio and bring his work to the big screen,” said Eva Cebrián of EvaFilms, adding: “Julio is an indisputable storyteller who has most understood the audio format, given his deep experience as a screenwriter.”

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Chile’s ‘Caso 63’ Scribe Julio Rojas, Spain’s Belen Cuesta Attached to Upcoming Pic, ‘La Torca del Diablo’ (EXCLUSIVE)

Anna Marie de la Fuente Chile’s hottest writer Julio Rojas (“The Life of Fish”) and Spain’s Goya-winning Belen Cuesta, who stars in “The Endless Trench” and the “Balenciaga” series, are attached to “La Torca del Diablo,” a sci-fi thriller from Chile’s Canal 13 and Spanish producer Miguel Asensio of Tiki Group. A client of former CinemaChile head Constanza Arena’s new talent agency and project incubator, Agencia La Luz, Rojas created and wrote “Case 63,” Spotify’s leading scripted original podcast in Latin America, with an English-language version in development, starring Julianne Moore and Oscar Isaac. He also co-wrote Pablo Fendrik’s Latino sci-fi series “The Shelter,” among other notable credits.

Oscar Isaac Julianne Moore Anna Marie De-La-Fuente Pablo Fendrik Julio Rojas Spain Mexico Chile Argentina Peru city Santiago film stars Latin

Starzplay, Bambu Wrap Production on Brand Defining Adult Industry Chronicle ‘Nacho’ (EXCLUSIVE)

John Hopewell Chief International CorrespondentLionsgate-owned Starzplay, Starz’s premium international streaming service, and Spain’s Bambú Producciones, producer of “Cable Girls,” are wrapping production on “Nacho,” one of Starzplay highest-profile productions as it builds its burgeoning international originals portfolio.Premium U.S. Spanish-language SVOD service Pantaya – already a partner with Starzplay on Lucia Puenzo’s “Señorita 89,” Pablo Fendrik’s “El Refugio” and Sofía Auza and Silviana Aguirre’s “Yellow” – will release “Nacho” in the U.S.

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Pablo Fendrik Bows Latino Sci-Fi Series ‘The Shelter,’ From Starzplay, Pantaya, Fabula, Fremantle

Pablo Fendrik’s “The Shelter” which is suffused in oneiric chromatic blue, Emilia, a little girl in bed at night, spies a figure down a corridor who looks like her dead older sister, Daniela.Following her to a barn door, Emilia enters to discover its chicken slaughtered as a huge light flares in the night sky outside. Emilia wakes up.

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Fremantle Develops New Seasons of ‘La Jauría,’ ‘Señorita 89,’ Fires Up Latin American Format Biz (EXCLUSIVE)

John Hopewell Chief International CorrespondentUnderscoring the robustness of a fast evolving Latin American TV market, U.K. production-distribution giant Fremantle and the Larraín brothers’ Fabula have in development a third season of gender abuse thriller “La Jauría” and second season of “Señorita 89.”The moves comes as Fremantle is firing up both its premium scripted series and entertainment format business in Latin America, which is fast emerging as a key growth market for platforms and heavyweight independent production-distribution companies such as Fremantle.Total Fremantle revenues from Latin America increased by 25% from 2019 to 2021 with production revenues in the region rising by nearly a third in the same period, said Jens Richter, Fremantle CEO, international.

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