Courtney Howard Adapted from the novel by Jennifer E. Smith, director Michael Lewen’s “Hello, Goodbye and Everything in Between” captures adolescent interactions and intelligence through an empathetic lens. But even though this Netflix original doesn’t condescend to its targeted teen audience, it fails to surmount basic issues dealing with narrative credulity and the outcome’s predictability.The story centers on two modern-minded teens who enter a 10-month-long dating compact as an obligatory starter romance, agreeing to break up the night before leaving for college.
