John Lennon: Last News

The Beatles have released a brand new restored video for ‘Let It Be’.The video features clips from the newly released and restored 1970 film Let It Be, directed by Michael Lindsay-Hogg, and uses rarely-seen alternate camera angles of the Fab Four and Billy Preston as they were recording the song.The meticulous restoration was done by Park Road Post Production from the original 16mm negative. According to the video’s description on YouTube, it was “filmed on the day after the January 30 rooftop concert” in 1969.‌The Let It Be film is now streaming on Disney+, marking the first time the documentary has been available in over 50 years.In a four-star review of the film, NME shared: “There may not be a more punk rock bit of film on earth than George being told the police were on the roof to shut them down, and casually turning his amp back on.

The Beatles‘ classic 1970 documentary film Let It Be was premiered in London earlier this week (May 7), before arriving on Disney+. Speaking at the press launch, creators explained how one of the most vital scenes – and significant moments in music history – never happened.The film was screened in front of an audience at the Curzon Mayfair which included original recording engineer Glyn Johns and Giles Martin (son of legendary Beatles producer George Martin, who remixed the music in Let It Be), Louis Theroux, James Bay, The Lightning Seeds frontman Ian Broudie and Captain America and Indiana Jones actor Toby Jones.The documentary, directed by Michael Lindsay-Hogg, was first released in cinemas 54 years ago and has been difficult to obtain since primarily because the original master tapes were stolen from Apple Corps shortly after the film was made.Speaking in a Q&A hosted by former Radio 1 DJ Edith Bowman, Jonathan Clyde producer of the film and director of production at Apple Corps, said: “When we first started talking about [restoring] it with [head of Apple Corps] Neil Aspinall in 2000, he said rather unenthusiastically, ‘I suppose we’d better do something about Let It Be’.“But the problem was that the master sound, that’s 450 to 500, 15 minute reels of master sound from the 20-odd days of shooting, had been stolen from Apple [Corps] in the early ’70s.”He continued: “So in truth, there was not a lot we could do except whoever it was who pilched them was licensing them to bootleggers who were then bootlegging vinyl and CD box sets.

finally available to stream on Disney+ this week.Was it worth the 54-year wait?Well, yes — and no.Some context is needed here first: If you watched “The Beatles: Get Back” — the three-part, eight-hour docuseries directed by none other than Oscar-winning “Lord of the Rings” director Peter Jackson that also premiered on Disney+ in 2021 — you’ve already seen a lot of this.And seen it in the kind of exhaustive detail — from the same footage that Jackson used from “Let It Be” director Michael Lindsay-Hogg — that you can probably break down the level of scruffiness in Paul McCartney’s faux-badass beard.But thankfully — whether or not you’ve already watched the tedious-at-times “Get Back” — this is only 80 minutes versus eight hours of your time.For anyone but the biggest of Beatlemaniacs, that math is math-ing.But here’s the real difference: Whereas “Get Back” captured every bit of Liverpudlian shade, side-eye and Yoko Ono rock-blocking, this “Let It Be” is all about the music that was made in the slow fade of the Fab Four.For most of this film — which documents The Beatles working out songs for what would turn out to be their final album, 1970’s “Let It Be,” in January 1969 — it’s just like being a little four-winged insect on the wall of those sessions at their Apple Corps headquarters in London.Rehearsing, working out songs and just jamming — even with all the mounting tension which is actually more between McCartney and George Harrison than Sir Paul and John Lennon (for all those who still blame Ono for the Beatles’ breakup) — it’s a magical mystery tour behind the scenes of what many consider to be the greatest band of all time.When McCartney and Lennon are in such easy harmony and camaraderie on “Two Of Us” — with the

Addie Morfoot Contributor Kino Lorber has acquired North American rights to “Daytime Revolution,” a documentary about the week that John Lennon and Yoko Ono co-hosted “The Mike Douglas Show” in early 1972. Directed by Erik Nelson, with creative consultation from Ono and her son, Sean Ono Lennon, the doc uses archival footage from each of the five 70-minute shows as well as interviews with six surviving guests, including Ralph Nader, to tell the behind-the-scenes story of theses shows.

John Lennon Estate has partnered with the Lumenate app for a series of meditation mixes, developed from the musician’s 1973 track ‘Mind Games’.Unveiled today (May 1), the project has been developed to help people reach a relaxed, meditative state, and “help guide your mind into deeper states of consciousness”.In the newly transformed mixes, various sound design techniques and processes have been applied to the original 1973 recordings by late Beatles member John Lennon and, in some instances, have been enhanced with additional instrumentation from producer Sean Ono Lennon – who is also the son of Lennon and Yoko Ono.The song was written by Lennon after reading the 1972 book Mind Games: The Guide to Inner Space, by Robert Masters and Jean Houston, which offered brain training exercises to help people take a more positive outlook. The song then came as the title track for the album of the same name and has gone on to become a cult classic.“John was trying to convey the message that we all play mind games.

A previously lost 12-string acoustic guitar that belonged to the late John Lennon will go up for sale at an auction in May after it was recently found in the attic of a home in Britain.The auctioneers said Lennon played the guitar, which is expected to exceed its estimate of $600,000 to $800,000, on the Beatles’ 1965 album “Help!”The guitar was lying in an attic and was rediscovered by the current owners during a house move.The founders of US-based Julien’s Auctions said they traveled to Britain to verify the guitar and found the original case – a Maton Australian-made guitar case – in the trash.Martin Nolan, executive director and co-founder of Julien’s Auctions, told Reuters the owners knew they had the instrument at one point, but thought it had been lost.The guitar is believed to have ended up in their hands through British musician Gordon Waller, a member of the 1960s pop duo Peter and Gordon.“Gordon was gifted it from John Lennon, then Gordon gifted it to his road manager, and that’s where the guitar stayed for all these years,” Nolan said.The guitar will be auctioned on May 29 at the Hard Rock Cafe in New York and on the auctioneer’s website.Earlier this year, a stolen Hofner bass guitar belonging to Paul McCartney was found and returned to Lennon’s fellow Beatle after 51 years following a global hunt.Musical instruments belonging to prominent members of the Beatles have fetched a high price at previous auction.In 2015, a guitar stolen from Lennon in the 1960s sold for $2.41 million at an auction in California.

John Lennon and George Harrison, which appeared in the movie Help!, is headed to auction after being lost for 50 years.The model is a 12-string Hootenanny acoustic guitar, made in the early ’60s by Bavarian manufacturer Framus. It famously appeared in the Beatles movie Help!, as Lennon used it to perform a rendition of ‘You’ve Got To Hide Your Love Away’.It also features on the studio version of the song, and in ‘Help!’s title track, ‘It’s Only Love’ and ‘I’ve Just Seen A Face’.

RAYE, Sampha and Yussef Dayes leading nominees.The nominees were announced today (April 23) in eight categories including the Best Album, Best Contemporary Song and the Rising Star Award with Amazon Music. The awards ceremony with Amazon Music will take place on May 23 at Grosvenor House.Sampha and Yussef Dayes have the most nominations with two each; each artist is contending for a Best Album award for their respective records ‘Lahai‘ and ‘Black Classical Music’.

All You Need Is Love: The Beatles in Their Own Words” (St. Martin’s Press), an illuminating page turner from former band aide Peter Brown and best-selling author Steven Gaines.The extensive oral history is made up of candid interviews with Gaines, captured in 1980-1981; a scheduled sit-down with Lennon never happened before his Dec.

The Beatles released their debut single in the UK, 1962’s “Love Me Do,” as the first of many classic songs written by John Lennon and Paul McCartney, their offspring have come together to bring back their tune-making magic.“Primrose Hill,” the new single by James McCartney — Sir Paul’s only son, with his late wife Linda — was co-written by Sean Ono Lennon, John’s youngest son from his marriage to Yoko Ono.And the next generation does their papas proud on this wistful beauty of a ballad that recalls some of the nostalgic reverie of “Now and Then” — which was released to much fanfare in November as the last Beatles song (and their first new tune since 1996).Released on Friday, “Primrose Hill” — which is a public park north of Regent’s Park in London — is the first-ever collaboration between McCartney, 46, and Lennon, 48.And if any song could sound just like taking a bittersweet stroll in the park with nothing but your longing memories, then this one pretty much captures it.There’s instantly something familiar about it — both the dreamy moodiness and McCartney’s lilting delivery — but it never seems to fall into Beatles mimicry.Nor does it ever reach the reach the heights of Beatles transcendence — I mean, how could it?The lyrics almost border on lovesick cliche at one point: “Forever’s not long enough to be loving you/Forever and a day/I look into your eyes, it’s such a great surprise/You take my breath away.”But if you just lose yourself in the warm, woozy feeling, you’ll get over that.And the bluesy guitar that comes in at the end adds a nice bite to the bliss.“ ‘Primrose Hill’ is here!” McCartney wrote in a post on Instagram, alongside a photo of him and Lennon.

Sean Ono Lennon – the sons of Paul McCartney and John Lennon – have written a song together called ‘Primrose Hill’ – check it out below.The song is a tender acoustic number about spending time with a loved one at the popular London beauty spot, which appears on the single’s cover art.“I’ll always remember Primrose Hill,” James McCartney sings wistfully on the chorus, backed by a mellow guitar melody.“‘Primrose Hill’ is here!” shared James McCartney on social media alongside a picture with his co-writer. “Today I am so very excited to share my latest song co-written by my good friend @seanonolennon.

Selena Kuznikov Last year saw the release of the Beatles’ new song: “Now And Then,” which was promoted as the band’s final single — but there’s a new McCartney/Lennon pairing. Paul and the late Linda McCartney’s son (and youngest offspring), James McCartney has released a new song with his close friend and John Lennon‘s son, Sean Ono Lennon.

The Beatles has revealed George Harrison‘s inspiration to pick up the guitar.Due for release this Thursday (April 11), All You Need Is Love is described as “a ground-breaking oral history of the Beatles and how it all came to an end”.It is comprised of interviews taken from the controversial book The Love You Make (1983), which was written by Steven Gaines and Peter Brown – the personal assistant to Beatles manager Brian Epstein.In one section, Harrison speaks about what first ignited his interest in becoming a musician.“I remember being a kid of about twelve, dreaming of big motorboats and tropical islands and things which had nothing to do with Liverpool, which was dark and cold,” he explained to Brown and Gaines in 1980 (via The Times).“I remember going to see Cliff Richard and thinking fuck it – I could do better than that.”As Guitar.COM notes, this rivalry would eventually encourage Harrison to perfect his guitar playing – with Richard going on to envy the Fab Four’s fame and success.In 1964, the singer responded to The Beatles’ performance on The Ed Sullivan Show by saying: “It’s ridiculous! Has everyone forgotten me? What’s going on?”Despite the competition between The Beatles and Richard, John Lennon reportedly once argued that British music would not have been the same if the ‘Devil Woman’ artist hadn’t come along.“Before Cliff Richard and ‘Move It’, there was nothing worth listening to in England,” he is said to have claimed (via Gold Radio UK).All You Need Is Love also includes the claim that Yoko Ono instructed John Lennon how to use heroin and details a Lennon encounter that made The Rolling Stones’ Mick Jagger feel “uncomfortable”.An official description reads: “Based on never-before-published or heard

For her ‘unofficial’ 2009 John Lennon biopic Nowhere Boy, Sam Taylor-Johnson had so little music to work with that the opening chord of “Hard Day’s Night” pretty much had to carry the whole movie. You might think that history would repeat for Back to Black, the short but fast-lived story of Amy Winehouse, who rose to international fame in her teens and never saw 28, never mind 30. Surprisingly, the Winehouse estate is all in, and although one might argue that the singer’s trainwreck notoriety has been slightly snow-washed to protect the living, there’s still a surprisingly hard edge here, in a rare film that gives rock’n’roll agency to a woman for once, like a reverse-angle Sid & Nancy.

Director Sam Taylor-Johnson and her husband, actor Aaron Taylor-Johnson, arrive for the world premiere of her film, Back To Black, held at the Odeon Luxe Leicester Square on Monday (April 8) in London, England.

The Beatles has claimed that Yoko Ono once instructed John Lennon on how to take heroin.Set for release this Thursday (April 11), All You Need Is Love includes a part in which Lennon’s ex-wife Ono denied she “put John on H”.“It was just a nice feeling [being on heroin]. So I told John that,” explained Ono, who reportedly first used the drug when she was in Paris (via People).She noted that Lennon “wouldn’t take anything unless he wanted to do it”, claiming: “[He] wanted to take it, that’s why he was asking [about her experiences with the drug].”Ono stated that she was keen to refute the claim that the Beatles icon’s dependence on heroin was entirely her fault. She said that the couple “never injected” it, but usually just snorted it instead.In 1970, Lennon opened up about taking the drug.

The Beatles has revealed a John Lennon encounter that made Mick Jagger feel “uncomfortable”.A new oral history of the acclaimed band called All You Need Is Love is set to be released on April 11. The book is comprised of interviews taken from the controversial book The Love You Make (1983), which was written by Steven Gaines and Peter Brown, the personal assistant to Beatles manager Brian Epstein.Upon the book’s original publication, the Beatles were not pleased with its contents, with Gaines claiming to The Times that “Paul and Linda [McCartney] tore the book apart and burned it in the fireplace, page by page.“There was an omerta, a code of silence around the Beatles, and they didn’t think anyone would come forward to tell the truth.”Now, Gaines and Brown will release All You Need Is Love, inspired by director Peter Jackson’s documentary Get Back.

Beyoncé and Paul McCartney.The “Texas Hold ‘Em” singer covers the 1968 Beatles beauty “Blackbird” — written by Macca, although credited to both McCartney and John Lennon — on her countrified new album “Cowboy Carter” that was released last Friday to rave reviews (including mine) and record-shattering streams.Bey’s honey- and harmony-coated rendition of “The White Album” classic — featuring African-American female country singers Tanner Adell, Brittney Spencer, Tiera Kennedy and Reyna Roberts making like Destiny’s Southern Child — is a revelation that repurposes the song from a black female perspective.And Sir Paul has given Beyonce’s “Blackbird” — which is styled as “Blackbiird” on “Cowboy Carter” — the most royal of blessings.“I am so happy with @beyonce’s version of my song ‘Blackbird,” he wrote in an Instagram post. “I think she does a magnificent version of it and it reinforces the civil rights message that inspired me to write the song in the first place.

Paul McCartney is addressing Beyoncé’s cover of “Blackbird,” featured on her new album Cowboy Carter.

Beyoncé used The Beatles’ original ‘Blackbird’ backing track in her cover of the song, recorded for ‘Cowboy Carter’.As well as covering the song for her new country album, it turns out the rendition of the band’s 1968 track are more similar than first thought – with it being revealed that the ‘Cowboy Carter’ version uses instrumental elements taken directly from the Beatles’ original master recording.According to Variety, that was confirmed by a representative for Beyoncé, who cited the singer’s team as well as other sourcesThe credits for the album have been gradually shared since the album’s release last week (March 29), and Paul McCartney is listed as playing guitar on the song, as well as one of the producers. However, there is no indication in the wording of the credits that his work on the track is taken from the 56-year-old original.Bey’s own spin on the song sees it renamed as ‘Blackbiird’ – making a nod to the album’s ‘Act II’ theme.

MC5 manager John Sinclair has died, aged 82.His representative, Matt Lee, confirmed the late poet and political activist’s passing this morning (April 2) at Detroit Receiving Hospital following congestive heart failure, reports The Detroit News.Sinclair was an influential activist who was best known for his fight toward legalising marijuana in the US and for his role in MC5. The Davison native was also a champion of civil rights and co-founder of the radical anti-racist group the White Panther Party.The late activist also helped launch Iggy Pop And The Stooges.