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18.03.2025 / 13:05

Malaga Talent Award Winner Elena Martín Speaks ‘Creatura’ Success and How Female Spanish Directors Are ‘Changing the Paradigm’

Rafa Sales Ross Guest Contributor When Spanish multi-hyphenate Elena Martín Gimeno first got a call to say she would be this year’s recipient of the Málaga Talent Award at the prestigious Malaga Film Festival, she felt it was a “full circle moment.” Having premiered her feature debut “Júlia Ist” at the festival almost a decade ago, the director credits the launchpad as having “made her career possible,” catapulting her to premiere her sophomore effort “Creatura” to great acclaim at Directors’ Fortnight in 2023. Gimeno directed, wrote and starred in “Creatura,” which went on to win Best European Film at Directors’ Fortnight, six Gaudí Awards, and three nominations for the Goya Awards.

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Festival In Focus: Why Female Directors & Producers Are Leading The Charge For A New Wave Of Spanish Cinema

Spanish cinema has undoubtedly been making a strong imprint on the international film festival circuit throughout the last few years and, crucially, there’s a new wave of female filmmakers that are driving this charge.

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Cannes Directors’ Fortnight: Elena Martin’s ‘Creatura’ Wins Best European Film Prize

John Hopewell Chief International Correspondent “Creatura,” the feature debut of Elena Martín, exploring female sexual desire and repression, has won this year’s 20th Europa Cinemas Cannes Label for best European Film at the 2022 Cannes Directors’ Fortnight. Announced Thursday by Europa Cinemas, ahead of the closing ceremony this afternoon, the prize is one of two at Directors’ Fortnight, and awarded by one of the sidebar’s partners, given the section is non-competitive. A second partner plaudit, the SACD Prize, handed out by France’s Writers’ Guild, will be announced simultaneously to the Europa Cinemas Label.

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Cannes Embraces Catalonia

Catalonia has become one of Europe’s most vibrant regional audiovisual forces. The proof can be found at this year’s Cannes Film Festival. More than 50 Catalan companies — some 100 executives and creatives — are expected to attend. Five films, four by new directors, have made the official cut at Cannes; six projects play in Marché du Film showcases. The three biggest Catalan movies at the festival, Elena Martin’s “Creature,” Pham Thiên An’s “Inside the Yellow Cocoon Shell,” both in Directors’ Fortnight, and Pablo Berger’s “Robot Dreams,” playing out of competition, also underscore strong trends coursing through current Catalan cinema, including international co-production and an exploding animation scene.

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Ukrainian Filmmakers to Participate in European Development Program Less is More (EXCLUSIVE)

Elsa Keslassy International Correspondent Less Is More (LIM), a European development scheme for limited-budget feature films has unveiled its selection of 16 projects, four of which are from Ukrainian writers and filmmakers. The initiative is backed by the MEDIA Programme of the European Union. The French national board (CNC) has come on board to support this year’s special spotlight on Ukrainian projects, alongside the banner Terrarium. The programs, which develops first, second and third feature projects, is organized by the Groupe Ouest, a film org created in 2006 in Brittany, in Northwest France, and headed by Antoine Le Bos and Charlotte Le Vallégant.

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Filmax Takes International Rights to Maria Ripoll’s ‘We Won’t Kill Each Other With Guns’ (EXCLUSIVE)

Ed Meza @edmezavarBarcelona-based Filmax has picked up international rights to “We Won’t Kill Each Other With Guns,” by Spanish director Maria Ripoll (“Live Twice, Love Once”).Described as a generational tale, the film tells the story of a group of friends in their thirties who get together after years of not seeing each other. Ingrid Garcia-Jonsson (“Beautiful Youth”) leads a cast that also includes Elena Martin (“Julia Ist”), Lorena Lopez, Joe Manjon (“The August Virgin”) and Carlos Troya.While the village is getting ready for its annual fest, Blanca (Garcia-Jonsson) is organizing a get-together with all her old friends, whom she hasn’t seen in years.

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