Dominga Sotomayor - celebsbar.com

Anna Marie de la Fuente San Sebastian’s pix-in-post showcases, which have launched notable movies – Sebastian Lelio’s “Gloria” – and notable directors – Jayro Bustamante, introducing his debut “Ixcanul” – unspools in 2022, with the screenings of six WIP Latam titles taking place over Sept. 19 – 21. WIP Europe, with four titles, runs on Sept. 19 and 20. In the mix is an awaited title from Chile, “Penal Cordillera,” directed by Felipe Carmona, produced by Dominga Sotomayor and Omar Zuñiga and sold by Luxbox, and “A Strange Path,” from Brazil’s Guto Parente, whose “The Cannibal Club,” acquired by Uncork’d Entertainment, made a stir by portraying a Brazil in which the rich literally eat the poor.

Marie De-La-Fuente Sebastian Lelio Jayro Bustamante Omar Zuniga Dominga Sotomayor Felipe Carmona Guto Parente France Brazil Chile Argentina Turkey film Love Discover sebastian Feature

Kino Lorber Swoops on Cannes Directors’ Fortnight Title ‘1976’ (EXCLUSIVE)

Holly Jones Following its world debut at Cannes Directors’ Fortnight this May, Kino Lorber has snagged North American distribution rights to “1976,” a gripping Pinochet-era drama directed by Manuela Martelli.The film is the first feature for Martelli, produced by Chilean writer-directors Omar Zuniga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) for Cinestación, Alejandra Garcia and writer-director Andres Wood (“Violeta Went to Heaven”) for Wood Producciones, and co-produced by Nathalia Videla Peña and Juan Pablo Gugliotta for Argentina’s Magma Cine.“1976” takes place in a small seaside town where Carmen (Aline Kuppenheim) reflects on her life as she transforms from a side-lined housewife into an integral caretaker. Putting her sanity and the values of her peers on the line, she steps further into uncertainty by aiding a weary and wounded opponent to Pinochet’s regime, Elías (Nicolás Sepúlvda), at her priest’s request.

Omar Zuniga Wendy Lidell Dominga Sotomayor Manuela Martelli USA Chile Argentina film audience awards Kino

Cannes Directors’ Fortnight Title ‘1976’ Rolls Out Sales for Luxbox (EXCLUSIVE)

John Hopewell Chief International Correspondent“1976,” the awaited first feature of Chile’s Manuela Martelli, has closed first new major territories for sales company Luxbox before its world premiere in Directors’ Fortnight later this upcoming week.The film is produced out of Chile by writer-directors Omar Zúñiga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) at auteur-focused Chile-based Cinestación (“Too Late to Die Young”) as well as Alejandra Garcia and Andrés Wood, another celebrated Chilean director (“Violeta Went to Heaven”) at Wood Productions. Nathalia Videla Peña and Juan Pablo Gugliotta at Argentina’s Magma Cine co-produce.“1976” is set, as its title implies, in 1976, one of the bloodiest years of Augusto Pinochet’s hugely bloody dictatorship.

Gemma Arterton John Hopewell Augusto Pinochet Omar Zuniga Dominga Sotomayor Manuela Martelli Spain France Italy Chile Portugal Argentina Greece city Rome city Santiago Turkey film Celebrity man

Chile Cinema Pins Hopes on New President’s Funding Promises

Anna Marie de la Fuente It’s a new dawn for Chile’s audiovisual industry. When Gabriel Boric, Chile’s youngest (at 35) and most left-leaning president since Salvador Allende, was elected in December, his pledge to more than double the state’s contribution to the arts was greeted with great fanfare. After all, Chile’s prodigious film output this past decade has been remarkable despite the scant public support it has received. “If everything we have achieved in the last 10 years was done with so little money, imagine what we can achieve with an increase in audiovisual funding!” says Constanza Arena, executive director of Chile’s film promotion org, CinemaChile.In recent years, Chile has triumphed at the Oscars, starting when Pablo Larraín’s “No” was nominated for international feature in 2012, and culminating in an Oscar win for Sebastian Lelio’s “A Fantastic Woman” in 2017.

Pablo Larrain Constanza Arena Marie De-La-Fuente Sebastian Lelio Dominga Sotomayor Claudia Huaiquimilla Salvador Allende USA Chile Berlin city Venice city Tallinn film art economy Funding

Winds of Change in Chile’s Film and TV Landscape

Anna Marie de la Fuente It’s a new dawn for Chile’s audiovisual industry. When Gabriel Boric, Chile’s youngest (at 35) and most left-leaning president since Salvador Allende, was elected in December, his pledge to more than double the state’s contribution to the arts was greeted with great fanfare.After all, Chile’s prodigious film output this past decade has been remarkable despite the scant public support it has received.“If everything we have achieved in the last 10 years was done with so little money, imagine what we can achieve with an increase in audiovisual funding!” says Constanza Arena, executive director of Chile’s film promotion org, CinemaChile.In recent years, Chile has triumphed at the Oscars, starting when Pablo Larraín’s “No” was nominated for international feature in 2012, and culminating in an Oscar win for Sebastian Lelio’s “A Fantastic Woman” in 2017.

Pablo Larrain Constanza Arena Marie De-La-Fuente Sebastian Lelio Dominga Sotomayor Claudia Huaiquimilla Salvador Allende USA Chile Berlin city Venice city Tallinn film art economy and Change

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