Charles Randolph: Last News

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nme.com
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Ben Affleck reportedly keen on playing Hulk Hogan in a movie based on Gawker sex tape saga
Ben Affleck is reportedly eager to take on the role of Hulk Hogan in a new film about the wrestler’s sex tape legal saga with Gawker.Affleck and Matt Damon’s production company Artist Equity are said to be lined up to produce the film, provisionally titled Killing Gawker, with filming set to start in January 2025 (via PWInsider).The film would tell the story of Hogan’s legal battle with the American celebrity blog Gawker, who in 2012 released a clip of a sex tape that the WWE star was not aware was being filmed.Hogan filed a lawsuit against the site, backed by PayPal founder Peter Thiel, who Damon will reportedly portray in the film. The wrestler was eventually rewarded $115million for defamation, loss of privacy and emotional pain, and the saga contributed to Gawker’s eventual demise.The Killing Gawker screenplay was written by Charles Randolph, who picked up an Oscar for The Big Short, and was based on Ryan Holiday’s 2018 book Conspiracy: A True Story of Power, Sex and a Billionaire’s Secret Plot to Destroy a Media Empire, which documented Thiel’s personal vendetta against Gawker for outing him as gay.In 2020, Chris Hemsworth was rumoured to be taking on the role of Hogan in a biopic, but that project has not yet materialised.In other Affleck news, last week, reports emerged that he and Jennifer Lopez are to file for divorce after two years of marriage.It came after Affleck purchased a new $20.5million “bachelor pad” mansion in Pacific Palisades on Wednesday, July 24, the day of Lopez’s 55th birthday.
metroweekly.com
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“American Prophet” Review: Prophets and Losses
American Prophet: Frederick Douglass in His Own Words (★★★☆☆), in its world-premiere production at Arena Stage, wisely draw directly from the source for their expansive, though not exhaustive, biography of the great abolitionist, author, publisher, statesman, escaped slave, and public speaker.The bulk of Douglass’ lines and lyrics in the show are words that the man either spoke or wrote, interpreted and interpolated fluidly by book writers Charles Randolph-Wright and Marcus Hummon.Randolph-Wright also directs, while Grammy-winner Hummon composed music and lyrics for the score, which floats between R&B, pop, and gospel influences, but stays too comfortably within theater conventions.The music doesn’t start down the most adventurous path. Opening with Douglass plaintively singing “What Does Freedom Look Like?” feels way too obvious.The follow-up number, “Going to the Great House,” turns out to be a sharply satirical subversion of happy-dancing-slave tropes, but then shifts into a sober — and, again, very on-the-nose — “Wade in the Water,” complete with choreography reminiscent of Alvin Ailey’s “Revelations.”Fortunately, the show goes bolder in its characterization of Frederick Douglass.

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