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27.08.2024 / 15:23

Chris Pine to Star in First Italian-Speaking Role in ‘The Kidnapping of Arabella’

K.J. Yossman Chris Pine has joined the cast of feature film “The Kidnapping of Arabella” (“Il rapimento di Arabella”) in an Italian-speaking role. Written and directed by emerging Italian director Carolina Cavalli as a follow-up to her feature debut “Amanda,” the film, described as a “dramedy,” tells the story of a young woman convinced she is the wrong version of herself.

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Chris Pine Boards Italian Drama ‘The Kidnapping of Arabella’ By Carolina Cavalli

Chris Pine (Star Trek, Wonder Woman) has joined the cast of Italian drama The Kidnapping of Arabella by Carolina Cavalli, as it begins shooting in northern Italy this week.

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Fremantle’s ‘Queer’ Producer the Apartment Sets Carolina Cavalli’s Next Project Under New CEO Annamaria Morelli (EXCLUSIVE)

Nick Vivarelli International Correspondent Under the leadership of new CEO Annamaria Morelli, The Apartment — the Fremantle-owned outfit which will attend Venice with three hot titles including Luca Guadagnino’s “Queer” — is set to produce the next project by emerging Italian director Carolina Cavalli. Cavalli – whose first feature “Amanda” went to Venice and Toronto – is set to shoot a follow-up titled “The Kidnapping of Arabella” that will see her reteam with “Amanda” protagonist Benedetta Porcaroli in the lead role.

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Bulgarian Crime Story ‘Blaga’s Lessons’ Takes Top Prize at Karlovy Vary Film Festival

Will Tizard Contributor Bulgarian crime story “Blaga’s Lessons” by Stephan Komandarev scored the top prize and $25,000 at the 57th Karlovy Vary Film Festival on Saturday, capping a week of celebrating art film, stars and bold global work. With sold out screenings ranging from Russell Crowe introducing “Master and Commander: The Far Side of the World” to rare Japanese masterworks by Yasuzo Masumura and a tribute to actor Daniela Kolarova, Czech audiences proved once again to be hungry for every kind of film they cannot experience at any other venue. The Crystal Globe competition special jury prize, along with $15,000, went to “Empty Nets,” a German-Iranian gritty love story directed by Behrooz Karamizade.

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Director of Afghan Refugee Story ‘Fremont’ Bet Big on Unknown Actor Anaita Wali Zada

Will Tizard Contributor Although set in a noirish Northern California, “Fremont” – which premiered at Sundance and plays in competition at Karlovy Vary this week – is a refugee story that’s firmly rooted in reality. Director Babak Jalali’s casting of real-life Afghan refugee Anaita Wali Zada, a first-time actor, in the lead role gives some indication of his commitment to authenticity. The hardboiled script, co-written with Carolina Cavalli, turns on a young woman, Donya, working in a Chinese fortune cookie factory while starved for sleep and wracked with PTSD from her past life working with the U.S. military in Afghanistan. The tight dialogue lends another level of stylized sheen to the film, as does the appearance of two veteran actors in wry performances – Gregg Turkington as a Jack London-obsessed therapist, and Jeremy Allen White, best known for his role as master chef in TV series “The Bear,” as a lovelorn mechanic.

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Memento International Sells Babak Jalali’s Sundance, SXSW Immigrant Film ‘Fremont’ to Key Markets (EXCLUSIVE)

Elsa Keslassy International Correspondent Memento International has closed a raft of deals on “Fremont,” the critically acclaimed film by BAFTA-nominated Iranian-born director Babak Jalali. The movie world premiered at Sundance and was acquired by Music Box for North America in a deal negotiated by CAA. The black-and-white film, laced with wry humor, tells the story of Donya, a young woman working at a Chinese fortune cookie factory in the San Francisco bay. Formerly a translator for the U.S. military in Afghanistan, she struggles to put her life back in order. In a moment of sudden revelation, she decides to send out a special message in a cookie. Following its Sundance premiere, the film played at SXSW and is slated to compete at Karlovy Vary. Other festival lined up include Deauville, Melbourne and Athens.

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‘The Eight Mountains’ Scales Italian Alps With Best Opening Yet For Sideshow/Janus Films – Specialty Box Office

Sideshow/Janus Films is estimating a $36k gross or $18k per theater average for The Eight Mountains on two NYC screens, the strongest opening weekend to date for the team behind Drive My Car and EO.

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Studiocanal Moves into Production in Italy by Forging Partnership With Elsinore Film (EXCLUSIVE)

Nick Vivarelli International Correspondent French production powerhouse Studiocanal is moving into the Italian production market by joining forces with Rome-based shingle Elsinore Film with plans to co-develop and coproduce a slate of scripted and unscripted content for the Italian and international market. Elsinore Film is a boutique outfit headed by Annamaria Morelli (pictured, left), a former head of production at Italian streamer TimVision, who is known for her scouting activity. Morelli has had a hand in shepherding “Skam Italia,” the Italian adaptation of the Nordic drama series that’s a hit in Italy. She was more recently among producers of “Amanda,” a quirky teen dramedy about female friendship by newcomer Carolina Cavalli, that launched positively in September from the Venice fest’s Horizons section.

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Venice Review: Carolina Cavalli’s ‘Amanda’

An eccentric 20-something tries to make friends in Amanda, a first feature for Italian writer-director Carolina Cavalli. Premiering in Venice’s Horizons Extra section, it’s a comical, stylized character portrait with a strong central turn from Benedetta Porcaroli.

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Carolina Cavalli’s ‘Amanda’ Debuts First-Look Clip Ahead of Venice Premiere (EXCLUSIVE)

Leo Barraclough International Features Editor Variety has been given exclusive access to a first-look clip for “Amanda,” Carolina Cavalli’s quirky Italian-cool film in Venice Horizons, starring Benedetta Porcaroli (star of Netflix series “Baby”), and featuring Italian heavyweight Giovanna Mezzogiorno, and Italian “X-Factor” winner Michele Bravi. The film, which is reminiscent of early Wes Anderson, premieres at Venice on Monday, then goes to Toronto – it’s the only Italian film to play both fests this year. Charades is handling international sales. I Wonder is distributing in Italy. The film centers on Amanda, 24, who lives mostly isolated and has never had any friends, even if it’s the thing she wants the most. When she discovers that as toddlers her and Rebecca used to spend a lot of time together, Amanda chooses her new mission: to convince her that they are still best friends.

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