Bianca Balbuena - celebsbar.com

Naman Ramachandran Asian Shadows has acquired international sales rights to “This City Is A Battlefield” (Perang Kota) the upcoming neoclassical war drama from Indonesian director Mouly Surya that will serve as the closing night film at the 54th International Film Festival Rotterdam. Set in 1946 Jakarta during Indonesia’s struggle for independence, the film follows Isa (Chicco Jerikho), a former war hero turned violin teacher who becomes entangled in the resistance movement alongside his wealthy student Hazil (Jerome Kurnia).

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Busan Market: Vietnam Independent Cinema Is Reaching Out, Overcoming Financing Gaps

Patrick Frater Asia Bureau Chief Two Vietnamese-flavored films in prominent festival slots this year have put the spotlight on the country’s emerging indie cinema scene. A discussion in Busan on Saturday highlighted the sector’s behind-the-scenes struggles, which center on ever-changing financing options, limited distribution and censorship. “Now is the best time to be a Southeast Asia filmmaker. We can now produce without Europe. That was not possible ten years ago,” said Bianca Balbuena, the Philippines-based lead producer on “Viet and Nam” the Truong Minh Quy-directed gay drama that debuted in Cannes this year. “More people are getting opportunities to make films.

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Karlovy Vary Film Festival Lineup Includes 15 Directorial Debuts, Plus Films by Established Filmmakers

Leo Barraclough International Features Editor The 32-strong official selection of the 58th edition of Karlovy Vary Film Festival, Central and Eastern Europe’s leading cinema fete, will feature 15 directorial debuts as well as the latest works of established filmmakers such as Mark Cousins, Oleh Sentsov, Noaz Deshe, Antonin Peretjatko, Beata Parkanova and Burak Cevik. Karel Och, artistic director of Karlovy Vary, said Tuesday that he’d identified a number of themes and genre in the selection, which included “a freshly revisionist take on the esthetical canons of a period film; a balanced, caring but also provocative look on the fate of a woman in the contemporary society in any moment of her life; and the immediate influence of political events on the life of an individual human being anywhere in the world.” The festival, which runs June 28-July 6 in the Czech Republic, has also revealed the juries of the Crystal Globe and Proxima competitions.

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Filipino Star Enrique Gil On Breaking Boundaries In His Comeback After A Three-Year Hiatus, ‘I Am Not Big Bird’

EXCLUSIVE: It’s just another day in Manila’s Riverbanks Center studios and a stand-in actor is beating off a group of gangsters with an outsized prosthetic penis – thankfully one that is wrapped in a tasteful chiffon scarf.

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Films Boutique Swoops on Lav Diaz’s ‘Essential Truths of the Lake,’ in Locarno Main Competition (EXCLUSIVE)

John Hopewell Chief International Correspondent Films Boutique will handle international sales on Filipino master Lav Díaz’s “Essential Truths of The Lake,” one of the highest-profile titles in the just announced main International Competition at this year’s Locarno Festival. The Berlin and Lyon-based production-sales company’s fifth collaboration with Diaz following, among others, Venice Golden Bear Winner “The Woman Who Left” and Berlin Silver Bear Winner “Lullaby To A Sorrowful Mystery,” “Essential Truths of The Lake” marks a prequel to Diaz’s ‘When The Waves Are Gone’ that premiered out of competition at Venice last year. It reprises the character of the ethically conflicted police lieutenant Hermes Papauran, one of the best investigators of the Philippines. When asked what drives a man to search for the truth, Papauran says dejectedly that maybe he just wants to keep inflicting pain on himself.

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Tattooing as Political Act Explored in ‘Treasure of the Rice Terraces’ Philippines-Canada Documentary (EXCLUSIVE)

Patrick Frater Asia Bureau Chief The global impact of traditional tattooing and the need to end its stigma is explored in upcoming feature-documentary “Treasure of the Rice Terraces,” directed by Filipino-Canadian Kent Donguines. The film sees Donguines embark on a journey of self-discovery and record the oral history recounted by 106-year-old Indigenous tattoo artist Apo Whang-Od, who was recently an unlikely cover star of Vogue Philippines. The film explores how the old practises in the Kalinga region, once banned and despised in Philippine society, have now evolved into a chic and in-demand type of body art that has become a source of pride and belonging for many Filipinos. It also delves into the issues of stolen mummified bodies, cultural appropriation, stigmatization, and discrimination faced by tattooed individuals.

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Prime Video Picks Up Sundance Flesh-Eating Fairy Midnight Title ‘In My Mother’s Skin’

In what reps the first acquisition of this year’s Sundance Film Festival by a streamer, Prime Video is taking global rights to Kenneth Dagatan’s Filipino horror movie In My Mother’s Skin which is premiering in the Midnight section on Friday, Jan. 20. A Q4 drop date in several countries is currently scheduled.

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