Paul Schrader Predicts Controversy For His Hot-Button ‘Master Gardener’: ‘This One Is Going To Piss People Off’

Taking it all in. Taylor Hale became the first Black woman to ever win Big Brother during the season 24 finale on Sunday, September 25, and she’s still processing it after being the underdog all season.

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A California vibe. There are many reasons why MAMA Shelter has become one of the hottest rooftops in Los Angeles. It’s colorful, a cool hangout spot day and night, and it’s got one of the best views of the city.

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Paul Schrader is under no illusions about “Master Gardener,” the sure-to-be-divisive final chapter in an informal trilogy that kicked off with 2017’s “First Reformed” and continued with last year’s “The Card Counter.” For starters: the film centers on a former white supremacist (played by Joel Edgerton) and his attempts at redemption. “This one is going to piss people off,” Schrader told IndieWire of the film, which premiered out of competition this weekend at the Venice Film Festival, where the auteur is also being given a lifetime achievement award.

“I made a new life for myself from flowers,” marvels the green-thumbed Narvel Roth. “How unexpected is that?” To be fair, it’s about the only plausible thing that happens in Paul Schrader’s Venice Film Festival out of competition entry Master Gardener, an incredibly silly but fitfully entertaining noir-tinged drama that follows so neatly on from First Reformed and The Card Counter that it’s almost as if Schrader has patented his own sui generis subgenre, a mix of the sublime and the ridiculous that just about works if you’re prepared to walk the line with it.

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Naman Ramachandran Leads Sigourney Weaver, Joel Edgerton and Quintessa Swindell were thankful for the opportunity to work with revered writer-director Paul Schrader on his latest film “Master Gardener,” showing out of competition at the Venice Film Festival. In a lively press conference on Saturday attended by the leads and Schrader, the filmmaker referred to the “lonely man in the room” archetype that he’s returned to in film after film beginning with “Taxi Driver.” “Hopefully, I’m done with him,” Schrader said. “I’ve always admired Paul’s work; never dreamed of working with him, because I’m not a lonely man in the room – I’m the lusty woman in the house,” Weaver said, adding that the “Master Gardener” role was one of the best she’s ever had. Weaver also thanked Schrader for writing two great parts for women in the film.