When a person watches a movie as terrible as “Mother Schmuckers,” the natural thing is to examine the seams to see if this awfulness was indeed the point.
The movies that turn into this skid almost always fail because there’s no way to capture the earnest magic that resides in the “so-bad-it’s-good” cannon, much in the same way that one can either see Shoeless Joe Jackson in an Iowa cornfield, or they can’t.
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