Over the course of his almost four-decade career, Roland Emmerich is a filmmaker who has become synonymous with big-budget, CG-infused epics whose screenplays often challenge the laws of space and time.
Few moviegoers who saw “The Day After Tomorrow,” “2012” or even “White House Down” thought they were anything more than overblown extravaganza and a nice escape from the monotony of the real world.
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