‘Monster’ Review: Hirokazu Kore-eda’s Time-Hopping Melodrama Movingly Shows The Power Of Perspective [Cannes]

There is no dialogue. There are no humans.

expecting their third child. The actress made the announcement in style on Sunday during the 2023 Cannes Film Festival in Cannes, France.

Michel Gondry’s new film “The Book of Solutions,” playing in Directors’ Fortnight at this year’s Cannes Film Festival, centers on the torturous life of being a creative filmmaker and begins at the heart of the matter: Marcc(Pierre Niney) is in a meeting with the producers of his new film, and they are unhappy with what he has delivered them. They’re ending the shoot, putting a new editor in charge to salvage what is already there, and his producing partner of many years finally turns his back on him.

Jennifer Lawrence made sure to keep things comfortable on the red carpet at the Cannes Film Festival on Sunday.The 32-year-old Oscar winner attended a special screening of the film and walked the carpet in Cannes, France, while wearing a stunning Christian Dior couture cherry red gown.But when Lawrence lifted her gown to walk down the steps, she revealed that she was rocking some black flip flops underneath the elegant look.Lawrence attended the screening with Sahra Mani, the director of the new documentary she produced,, and fellow producer Justine Ciarrocchi.Earlier on Sunday, Lawrence attended the photocall for while wearing a silver mesh look and heels. is a documentary following Afghan women under the control of the Taliban.

Of King Henry VIII’s six wives, his final marriage to Catherine Parr is perhaps the most ignored. The others are rife with tragedy: there are the two he detested the most that he bent the will of God to legalize divorce; there’s Jane Seymour, who died soon after giving birth to an heir; and most notoriously of all, there are the wives he beheaded.

Robert De Niro and girlfriend Tiffany Chen enjoyed a night out in style while overseas at the Cannes Film Festival.De Niro, 79, and Chen hit up the Vanity Fair x Prada party on Saturday night at the Hotel du Cap-Eden-Roc in France and made a splash in matching black ensembles.The two-time Oscar winner rocked a classic black tux with a white shirt and dark tie, while Chen rocked a black zippered jacket over a black top and dark shades.The party outing came hours after De Niro and Chen walked the carpet at the Cannes Film Fest premiere of his new film, director Martin Scorsese's — in which he stars opposite Leonardo Di Caprio.De Niro rocked the same tux at the stylish premiere, while Chen shimmered in a glimmering black sequined gown and the same dark shades.De Niro's hotly anticipated new project took the festival by storm and reportedly earned a nine-minute standing ovation after its screening on Saturday, which bodes well for the long-awaited period drama.Meanwhile, the couple's Cannes appearance comes a few weeks after De Niro first revealed that he'd recently welcomed his 7th child. A few days later, on, Gayle King shared the exclusive first photo of De Niro and Tiffany Chen's daughter.The baby girl's name is Gia Virginia Chen-De Niro, and according to King, she was born on April 6 and weighed 8 lbs., 6 oz.

With all the headlines dedicated to the #MeToo movement over the past few years, it can sometimes feel like the industry has made progress — certainly, enough to launch several biopics and television shows about its own misconduct. But this is still a time when “Portrait of a Lady on Fire” actress Adèle Haenel feels compelled to quit the French film industry in protest, and when the director of the Cannes Film Festival feels the need to say, out loud, that Cannes is not a “festival for rapists.” READ MORE: Cannes Director Says Event Is Not “A Festival For Rapists” Needless to say, there’s still work to be done, and it’s good that these conversations continue to happen – especially when they involve an icon of the French film industry, Marion Cotillard.

adapted from David Grann’s book of the same name — is set in Oklahoma during the 1920s and depicts the serial murders of members of the oil-wealthy Osage Nation, which was later dubbed the Reign of Terror and led to the formation of the FBI. The Post reached out to Scorsese for comment.“It’s taken its time to come around, but Apple did so great by us, shooting out there … there was lots of grass — I’m a New Yorker,” said the “Goodfellas” director in a post-film speech.

Justine Triet’s “Anatomy of a Fall,” playing in Competition at this year’s Cannes Film Festival, begins with an interview between a writer and a student interested in her work. It’s a lighthearted, almost flirty discussion where double entendres are part of a seemingly harmless game.

In 2013, filmmaker Anthony Chen’s first feature, “Ilo Ilo,” won the coveted Caméra d’Or at Cannes. Centered around the inseparable bond between a 10-year-old Singaporean boy and his Filipina nanny, Chen’s full-length debut deployed a specific lens — a family weathering the 1997 Asian financial crisis — to tell a universal story exploring the nooks and crannies of our shared humanity.

“Eureka” seems somewhat deceitfully simple: a man called Murphy (Viggo Mortensen) searches for his abducted daughter with the help of the mysterious El Coronel (Chiara Mastroianni), even if he has to shoot everyone who stands in his way.

There’s trouble in the paradise of Savannah, Georgia, where the skeins of Spanish moss-draped over corridors of trees wave in the gentle coastal zephyrs with each night’s picture-perfect sunset. Spouses Gracie (Julianne Moore) and Joe (Charles Melton) have opened their palatial home for a backyard BBQ; he’s manning the grill, and she’s darting about trying to make everything just right, each well aware of their role to play.

In 2013, filmmaker Anthony Chen’s first feature, “Ilo Ilo,” won the coveted Caméra d’Or at Cannes. Centered around the inseparable bond between a 10-year-old Singaporean boy and his Filipina nanny, Chen’s full-length debut deployed a specific lens — a family weathering the 1997 Asian financial crisis — to tell a universal story exploring the nooks and crannies of our shared humanity.

 got a boisterous 9-minute standing ovation after the three-hour epic premiered Saturday at the 76th annual Cannes Film Festival.Leonardo DiCaprio, director Martin Scorsese and the rest of the cast soaked up every second of the ovation displayed at Palais des Festivals in Cannes, France.  posted a snippet of the thunderous applause, and outlet's co-editor-in-chief, Ramin Setoodeh, reports that the nine-minute standing ovation is «the biggest and loudest» of the film festival so far.According to, Scorsese took the mic after the ovation and addressed the excited crowd.«Thank you to the Osages,» he said. «Everyone connected with the picture.

I am still searching for my words; my thoughts first ran dry in the opening minutes of the shattering and evocative “Killers of the Flower Moon.” It begins with the Osage tribal elders mourning the loss of their language and customs as they bury a sacred pipe. The scene breaks, next revealing these Indigenous folks — forcibly moved from Missouri to present-day Oklahoma (thought to be terrible, barren land) — discovering oil as psychedelic music erupts with the splash of the black liquid.

Nuri Bilge Ceylan has been a Cannes regular since his debut short, “Koza,” in 1995. An assured auteur from the very beginning, Ceylan made a name for Turkey on the festival circuit, and every year he brings a new title to the Croisette, critics and audiences alike already know what they’re in for.

God, what a terrible thing it is to be a teenage girl. A body once free to roam and run and be transformed by the unforgivable rush of hormones, cunning little tricksters pumped through blood in a mad rush to reach the anti-climatic cusp of adulthood.

In Jean-Stéphane Sauvaire’s “Black Flies,” silence is as scarce a commodity as hope. Young first responder Ollie Cross (Tye Sheridan) learns very early on that the job comes with two partners: the one sitting next to you and the relentless cacophony of sounds that cut through the vastness of night as shears.

In “Indiana Jones and the Dial of Destiny,” the sturdy lark, positioned precariously in the liminal space between commerce and taste, there are the familiar callbacks, the big set pieces, the cracking bullwhip, dashing fedoras, nefarious Nazis, exotic locales, old friends and new faces. Something, however, is missing.

Harrison Ford and Calista Flockhart made a rare red carpet appearance Thursday at the 76th annual Cannes Film Festival for the world premiere of .The couple glowed as they smiled for the cameras at Palais des Festivals in Cannes, France. Ford wore a classic tuxedo while Flockhart donned an elegant raven black sleeveless V-neck tulle gown with velvet trim and bow detailing from Zuhair Murad's pre-Fall 2023 Ready-to-Wear Collection.

A few seconds before the world premiere of Sean Price Williams’ directorial debut “The Sweet East,” the names of Josh and Benny Safdie rolled on the screen as part of the Directors’ Fortnight vignette.