In “Indiana Jones and the Dial of Destiny,” the sturdy lark, positioned precariously in the liminal space between commerce and taste, there are the familiar callbacks, the big set pieces, the cracking bullwhip, dashing fedoras, nefarious Nazis, exotic locales, old friends and new faces.
Something, however, is missing. More on that in a bit. It starts with a recognizable canvas: Nazi Germany is nearing the end of World War II.
A hooded Indiana Jones (Harrison Ford), wearing a German officer’s suit, is hauled with a sack over his head for questioning.
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