Wes Anderson is a genre; one of decorative embellishment, ornamental whimsy, baroque fantasy, and symmetrical precision. It wasn’t always this way, and it’s also not just superficial embroidery. “Rushmore” had a moving bittersweetness anchoring its fanciful formal wit, and “The Royal Tenenbaums” refined Anderson’s patented wistful stories about romantics, failed dreams, and faded glories within imaginative color-coded costumes and increasingly meticulous aesthetics.
READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch Somewhere in the middle, the American filmmaker became a little unsure of his identity amidst sudden reproach (‘Life Aquatic,’ ‘Darjeeling Limited’); however, he quickly realized his inimitable cinematic handwriting made him unique.
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