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‘Is That Black Enough for You?!?’ Review: Elvis Mitchell’s Intoxicating Deep Dive into the Black Cinema Revolution of the ’70s
Owen Gleiberman Chief Film Critic In “Is That Black Enough for You?!?,” Elvis Mitchell’s highly pleasurable and eye-opening movie-love documentary about the American Black cinema revolution of the late ’60s and ’70s, Billy Dee Williams, now 85 but still spry, tells a funny story about what it was like to play Louis McKay, the dapper love object and would-be savior of Billie Holiday in “Lady Sings the Blues.” The year was 1972, and African-American audiences had rarely (if ever) been given the chance to gawk at a movie star of color who was not just this sexy but this showcased for his sexiness. Louis was like Clark Gable with a dash of Marvin Gaye; when he was on that promenade stairway, Williams says that he just about fell in love with himself. That’s how unprecedented the whole thing was. The actor recalls how the lighting was fussed over (we see a shot in which Louis appears bathed in an old-movie glow), and how unreal that was to him on the set. At the time, Black actors didn’t get lighting like that. But Black audiences drank it in with a better-late-than-never swoon, even as they knew that this was a representation they’d been denied for more than half a century.
Hollywood is a neighborhood in the central region of Los Angeles, California, notable as the home of the U.S. film industry, including several of its historic studios. Its name has come to be a shorthand reference for the industry and the people associated with it. Hollywood was incorporated as a municipality in 1903. It was consolidated with the city of Los Angeles in 1910 and soon thereafter, a prominent film industry emerged, eventually becoming the most recognizable in the world.
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