‘Good Girl Jane’ Review: Sarah Elizabeth Mintz’s Piercing Debut Tracks The Grooming Of A Young Teenage Girl [Tribeca]

Chris Hemsworth has revealed that two of his kids are indeed in his upcoming movie, Thor: Love & Thunder.

Ewan McGregor and Mary Elizabeth Winstead are feeling the love from their fans.

Love Island fans reacted with fury after Jacques O'Neill confessed to having flashbacks of sex with Gemma Owen despite him moving on to gain the attentions of Paige Thorne. A heartbeat challenge on the show raised the pulses of rugby player Jacques and Gemma who once dated each other.It led viewers to call on Paige, to "run" from Jacques who called Gemma a "clown" despite their past relationship. READ MORE: Michael Owen reacts as Love Island daughter Gemma gives Lucas racy lapdance in villa One observer wrote on Twitter: "Jacques just gets more and more annoying by the episode.

What was a dark day for Democracy turned out to be a shining night for late night TV.

The Tasmanian Catholic Church’s attempts to pit medical and health care professionals against a report about harmful conversion practices has been dubbed a “misinformation campaign”. The Tasmanian Law Reform Institute (TLRI) has called out the “incorrect” statements made about its report in the Catholic Standard, the official print publication of the Catholic Church in Tasmania. Earlier this month, a TLRI report had recommended law reforms to deal with unscientific and harmful conversion practices to change a person’s sexual orientation and gender identity.

Sporting director Ross Wilson helped Rangers get back on the road to glory.

You can accuse writer/director/star Katie Holmes of doing a lot of things in her sophomore feature “Alone Together,” but you certainly can’t say she doesn’t wear her influences on her sleeve. The picture opens with a throwback jazzy vocal track over shots of the NYC skyline, Central Park, and the Upper West Side; the Nora Ephron vibes are palpable.

White people have stolen music from black people for decades and then some. This is a matter of historical record.

A sibling is usually your first friend and your first enemy, someone who cares about you like your parents but will get into shenanigans with you. These relationships are complicated, especially when you go in different directions in life and potentially feel estranged from the complex trappings of family.

A standard hagiography that is far less interesting than the subjects it features, “Turn Every Page” aspires to none of the depth and complexity it champions throughout its too-long 112 minutes. A serviceable accounting of both a historian and a historically important editor, the documentary makes a strong case for the importance of both, yet in so doing, demonstrates that these men need no such help.

Artfully toggling between the ephemeral memories associated with the infamous Chelsea Hotel, and the more granular concerns of its present residents, Maya Duverdier and Amélie van Elmbt’s new documentary, the Martin Scorsese executive produced “Dreaming Walls: Inside the Chelsea Hotel,” is a concise reflection of the erasure of historical monuments in the name of gentrification. Centralizing the protracted construction process that closed down the hotel in 2011, but allowed its long-term residents to stay, the doc mainly follows the hold-outs in their ninth year of construction, many who view the hotel as one the last examples of bohemian, and affordable, living in Manhattan.

The movies have given us man-children for decades, dating back to Carl Reiner’s “The Jerk,” leading all the way to a bumper crop of “dudes stuck in arrested development” productions through the 2000s and 2010s: “Cyrus,” “The 40-Year-Old Virgin,” “Knocked Up,” “Adult Beginners,” “The Comedy,” “Step Brothers,” “Jeff Who Lives at Home.” Alex Heller’s feature debut, “The Year Between,” descends from this overdone tradition and leaves a new wrinkle on the formula: Bipolar disorder, a formidable condition characterized by extreme mood swings and thus a clear goldmine for slacker burnout comedy.

B.J. Novak’s feature directorial debut, “Vengeance,” does not begin like you would expect B.J.

A minor but affecting character study about buried family trauma, Clara Stern’s feature-length narrative debut “Breaking the Ice” works well as both a sports drama — focusing on an Austrian minor-league women’s hockey team — and a romantic drama. While perhaps too contained within its protagonist’s point of view, Stern’s film is nevertheless an impressive debut.

“American Dreamer” is a mess of a movie, in which scenes of startling wit and emotional truth co-exist alongside entire subplots that are utterly inexplicable. It’s all over the damn place; its good ideas in near equal proportion to its bad ones, feeling less like a polished production than a filmed first draft, released as a rough assembly.

Aisha Osagie wakes up early. She bathes and prays.

Andie MacDowell, Patrick Gibson and Rain Spencer star in the new film Good Girl Jane.The coming-of-age drama, which saw production halted in 2020 due to the COVID-19 pandemic, finally made its long-awaited world premiere at the Tribeca Festival in New York City on Saturday, June 11.And as veteran of the ensemble cast, which garnered a 'superbly acted' review on the festival's website,MacDowell stunned on the red carpet with both her fashion sense and infectious smile. World premiere: Andie MacDowell, 64, hit the red carpet for the world premiere of the new coming-of-age film Good Girl Jane at the Tribeca Festival in New York City on SaturdayMacDowell, 64, stepped out in front of photographers ina striking emerald green dress with a plunging neckline.The design made the top portion look like a double-breasted coat, complete with buttons, side pockets and the impression of lapels.

Ray Romano is a good actor, and seems like a nice guy. These are the two primary takeaways from “Somewhere in Queens,” which the stand-up comedian, character actor, and sitcom star co-wrote, co-produced, directed, and starred in.

“I come from a family of geniuses and criminals,” confesses inventor David Hanson. And it’s not at all apparent if Hanson is the former, or a less pernicious version of the latter.

We usually flash back to New Kids On The Block, Backstreet Boys, N’Sync, and the likes when we think of the manufactured boy band. But when you think about it, the godfather of the modern boy band is arguably Menudo, the Latin American group from the late 1970s and 1980s.

“The Wizard of Oz” is the all-movie; in my film school days, professors would use King Vidor’s canon cornerstone as a teachable exemplar for just about everything, from the usage of color to the dream-logic of cinema to the mechanisms of Golden Age Hollywood manufacturing. The new documentary “Lynch / Oz” applies this lens as a way of seeing the works of David Lynch with greater clarity and understanding, and in doing so, draws on the seemingly infinite number of angles from which the foundational fantasy can be analyzed.