Composer Emile Mosseri might be humble. And judging from our podcast conversation, he might have low expectations. But, he should get ready because after his breakthrough Oscar-nominated score for “Minari,” it would be shocking if some of the world’s major filmmakers were not rushing to collaborate with him.
READ MORE: Steven Yeun Faces His Father’s Generation In ‘Minari’ [Interview] The 35-year-old composer first made a name for himself with the gorgeous score for 2019’s “The Last Black Man in San Francisco.” He’s followed that up with music for “Kajillionare” and the second season of “Homecoming,” which both debuted in 2020.
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