TORONTO – The more you consider Nick Hamm’s “William Tell,” a gala world premiere at the 2024 Toronto International Film Festival, the more you realize how utterly wild it is.
Set in 1307, it centers on a legendary archer, the title character (Claes Bang), and chronicles how this humble farmer in the Swiss Alps became a symbol of resistance against an evil Austrian kingdom.
Like Matthieu Delaporte and Alexandre de La Patellière’s Cannes premiere “The Count of Monte Cristo,” which was a crowd-pleaser in French cinemas this summer, it’s also a throwback to a style of big studio filmmaking that audiences haven’t experienced consistently since the ’90s.
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