Quentin Jerome Tarantino (born March 27, 1963) is an American filmmaker, actor, film programmer, and cinema owner.
His films are characterized by nonlinear storylines, satirical subject matter, aestheticization of violence, extended scenes of dialogue, ensemble casts, references to popular culture and a wide variety of other films, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, alternate history, and features of neo-noir film.
‘The Last Stop in Yuma County’ Review: An Accomplished Pressure-Cooker Thriller That’s Like a Tarantino-Fueled Noir, 30 Years Later
variety.comOwen Gleiberman Chief Film Critic Thirty years ago (in fact, it will be 30 years to the day this Sunday), Quentin Tarantino’s “Pulp Fiction” had its world premiere at the Cannes Film Festival, and cinema was never the same.
Tarantino’s 1994 epic-crime-pretzel-meets-pop-monologue masterpiece smashed open one door after another, and an inevitable result is that we saw a great many movies in the ’90s that were Tarantino knockoffs — underworld capers of baroque violence and exuberant scuzz, movies that not only bent the dirty hedonism of film noir into new shapes but did it with a special brand of self-consciousness, a “Look at what we’re up to!” effrontery.
That attitude became part of the landscape, though you could also say that after a while, as a literal genre, the Tarantino knockoff faded away.
But “The Last Stop in Yuma County,” a real-time, single-location crime thriller set at a gas-food-lodging stop in sunbaked Arizona, is what you might call an exercise in Tarantino knockoff nostalgia.
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