Cannes 2024 - celebsbar.com

It may not have won the Palme d’Or, but Jacques Audriard‘s “Emilia Perez” was the talk of the Cannes Film Festival this year. And after its female ensemble shared the festival’s Best Actress award, it’s easily one of this Fall’s most anticipated new releases.

Zoe Saldana Edgar Ramirez Emilia Perez Karla Sofia Gascón Netflix Cannes 2024

‘Faye’ Trailer: HBO’s Doc About The Legendary Hollywood Actress Premieres On July 13

The 2024 Cannes Film Festival had its fair share of notable premieres, including Sean Baker‘s Palme d’Or winner “Anora” and Francis Ford Coppola‘s “Megalopolis,” among others. But a certain doc made waves in the Cannes Classics roster, quietly collecting a string of positive reviews.

Francis Ford Coppola Max Laurent Bouzereau HBO Cannes 2024

‘Megalopolis’: Francis Ford Coppola Will Pay Up To $20 Million In Marketing For Lionsgate’s Theatrical Release Of His Magnum Opus

Good news for Francis Ford Coppola earlier this week, as Lionsgate stepped up to snag distribution rights for his self-financed “Megalopolis.” But THR reports there’s a catch to the Lionsgate deal for FFC: the 85-year-old will need to spend up to $20 million in marketing for the film’s theatrical release. That’s on top of the $120 million Coppola already spent to finance his passion project in the first place.

Francis Ford Coppola Lionsgate IMAX Megalopolis Cannes 2024

‘Ernest Cole: Lost and Found’ Review: An Engrossing Portrait Of A Norm-Shattering Photographer [Cannes]

Ernest Cole, the first Black freelance photographer in South Africa, is known today for his contribution to documenting the Apartheid in the 1960s and racial attitudes in America in the 1970s. Born in 1940, he grew up in segregated South Africa before moving to the United States in his youth to evade persecution for his work.

Cannes Film Festival Lakeith Stanfield Raoul Peck USA New York South Africa Cannes 2024

‘The Falling Sky’ Review: Documentary About An Indigenous Tribe Is An Ecological Parable [Cannes]

The indigenous Yanomami tribe living in the Amazon rainforest on the border between Brazil and Venezuela is dwindling. Only 35,000 remain.

Cannes Film Festival Brazil Venezuela Cannes 2024

‘The Kingdom’ Fuses Coming-Of-Age & Gangster Tropes into An Exciting Debut [Cannes Review]

An incisive look into the mafia’s presence in Corsica, Julien Colonna’s “The Kingdom” is an even-handed debut, filtering a war between rival gangs through the prism of a coming-of-age narrative. While well aware of the tropes associated with mafia films, Colonna’s decision to place his point of view alongside Lesia (Ghjuvanna Benedetti in her first role) creates a fascinating window into connections between real and created families.

Cannes Film Festival The Kingdom Cannes 2024

Did Another Best Picture Nominee Debut At Cannes?

CANNES – If you were to have asked us just 48 hours ago whether we believed Cannes would be sending another Best Picture nominee to the Academy Awards we would have been hesitant to answer yes. Now, following Sean Baker’s “Anorma” winning the Palme d’Or, it looks like Cannes’ Oscar streak will continue.

Cannes Film Festival Emilia Perez USA Anora Cannes 2024 Oscars 2025

Sean Baker’s ‘Anora’ Wins Palme d’Or At 2024 Cannes Film Festival

CANNES – After 12 days of screenings, the Cannes Film Festival has drawn to a close. That means it’s time for Greta Gerwig and her jury to reveal the winners of the competition section of the festival.

Greta Gerwig Cannes Film Festival Emilia Perez Iran Anora Cannes 2024

‘The Seed Of The Sacred Fig’ Review: Mohammad Rasoulof’s Searing Indictment Of Modern Iran [Cannes]

CANNES – After screening “The Seed of the Sacred Fig,” a world premiere at the 2024 Cannes Film Festival, one has to breathe a sigh of relief that director and screenwriter Mohammad Rasoulof is safely out of Iran. A victim of a politically motivated jail sentence for supporting the 2022 Masha Amini hijab protests, Rasoulof‘s latest feature will likely anger the Iranian government even more.

Mohammad Rasoulof Cannes Film Festival Iran Cannes 2024

‘All We Imagine As Light’ Review: First Indian Competition Entry In 30 Years Earns Its Accolades [Cannes]

“All We Imagine As Light” opens as only a film set in Mumbai can— with the gradual unfurling of this massive metropolis at dawn. Its essential workers begin corralling the huge resources needed to maintain its creaking infrastructure and feed the tens of millions of people who will wake up and take public transport to work.

Cannes Film Festival Payal Kapadia India city Mumbai Cannes 2024

George Lucas Says His ‘Star Wars’ Ideas Were “Lost” Once Disney Took Over

George Lucas returned to the Cannes Croisette for the first time since 1971 this week to receive an honorary Palme d’Or. So what did the 80-year-old director say about his career as he talked to a packed audience at the Debussy Theater after accepting the prize? Well, to the surprise of no one, THR reports that he mainly talked about “Star Wars.” Along the way, Lucas defended the prequel trilogy, his continual updates to the original trilogy, and lamented how Disney misused his ideas after he sold Lucasfilm to the company in 2012 for $4.05 billion.

George Lucas Star Wars Cannes 2024

‘Beating Hearts’ Review: Gilles Lellouche’s Stylish Thriller Descends Into Clichés [Cannes]

CANNES – A very popular actor in his native France, Gilles Lellouche has dipped his toe into filmmaking co-directing one movie and helming another over the past 20 years. Nothing he’s directed previously would prepare anyone for the impressive visual authority he welds over the camera in “Beating Hearts,” which debuted at this year’s Cannes Film Festival.

Cannes Film Festival Adele Exarchopoulos Gilles Lellouche France Cannes 2024

‘Filmlovers!’ Review: Arnaud Desplechin Pays Tribute To The Miracle Of Cinema On Enchantingly Personal Docufiction [Cannes]

Trite as it certainly sounds, the saccharine label of a “lover letter to cinema” applies all too precisely to French director Arnaud Desplechin’s enchanting docufiction effort “Filmlovers!” (“Spectateurs!”). But even with that obnoxiously overused denomination hanging over it, this multifaceted personal essay succeeds at rekindling or reaffirming one’s own relationship with the miracle of this young art form that we so often take for granted.

Cannes Film Festival Arnaud Desplechin France Cannes 2024

‘Marcello Mio’ Review: Chiara Mastroianni Stars In A Meta Love Letter To Her Father [Cannes]

CANNES – The term “Nepo baby” gets thrown around a lot these days for reasons both justifiably good and bad. It’s one thing to be the daughter of a successful Hollywood actress and a popular comedy film director.

Meryl Streep Catherine Deneuve Cannes Film Festival Chiara Mastroianni Christophe Honoré Cannes 2024

‘Parthenope’ Review: Paolo Sorrentino’s Portrait Of An Italian Diva Coming Of Age [Cannes]

CANNES – If we know anything about Paolo Sorrentino it’s that he adores his hometown of Naples, Italy. His last directorial effort, “The Hand of God” was a love letter to the port city and, in something of a surprise, he taps that well once again for “Parthelone,” a title in competition at this year’s Cannes Film Festival.

Paolo Sorrentino Gary Oldman Italy city Naples, Italy Cannes 2024

‘The Shrouds’ Review: David Cronenberg Digs Into The Core Of How Messy Grief Can Be [Cannes]

Grief is rotting Karsh’s (Vincent Cassel) teeth. It’s been four years since he lost his wife, the beautiful Becca (Diane Kruger), to a violent form of bone cancer that ate away at her body until her brittle frame could no longer sustain life.

Diane Kruger Guy Pearce Vincent Cassel Cannes Film Festival David Cronenberg The Shrouds Cannes 2024

‘Anora’ Review: Sean Baker’s New York Cinderella Story Arrives With A Russian Twist [Cannes]

CANNES – The “Anora” in Sean Baker’s latest creation is actually the birth name of Ani (Mikey Madison), a private dancer who works in a pretty nice strip club in New York City. Sure, the hours ain’t ideal, and there’s that long subway ride back to the rundown duplex she shares with her sister in Brighton Beach, but she’s not complaining.

Cannes Film Festival Cinderella Story Sean Baker Mikey Madison New York New York Russia county Story city Brighton Anora Cannes 2024

‘Misericordia’ Review: Alain Guiraudie’s Nerve-Rattling Thriller Is A Dostoevskian Masterwork [Cannes Review]

An hour into “Misericordia,” there is a scene so shocking that it might leave viewers’ mouths agape in disbelief. Only it is a mere conversation between two people.

Cannes Film Festival Alain Guiraudie cannes Cannes 2024

‘The Apprentice’ Review: Sebastian Stan as Donald Trump? It Works! [Cannes]

Five years ago, Iranian-Danish filmmaker Ali Abbasi broke out internationally with the Oscar-nominated “Border,” a thorny little beast of a fable about love, complicity, and guilt. His latest prods at some of the same themes, although the thorny little beast at the center of “The Apprentice” is far from a fictional creature of fables.

Donald Trump Jeremy Strong Sebastian Stan Roy Cohn Cannes Film Festival Maria Bakalova Ali Abbasi USA Denmark The Apprentice Cannes 2024

‘Hayao Miyazaki & The Heron’ Trailer: Go Behind-The-Scenes Of Miyazaki’s Latest In New Cannes Doc

More than just a director of animation, Hayao Miyazaki is one of the best filmmakers (of any kind) of all time. His films are beloved and studied.

Hayao Miyazaki Toshio Suzuki Cannes 2024

‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes]

CANNES – For a moment, we thought Coralie Fargeat’s “The Substance” had overstayed its welcome. But, no, the “Revenge” director was just taking a breath before unleashing a wild and operatic ending for her Cannes Film Festival debut.

Margaret Qualley Demi Moore Cannes Film Festival Coralie Fargeat Cannes 2024

Cannes 2024: Last News

‘Emilia Perez’ Trailer: Jacques Audriard’s Crime Musical Comedy Hits Netflix On November 13

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