Murtada Elfadl Juxtaposing the story of the murder of Congolese leader Patrice Lumumba with a musical tour of jazzman Louis Armstrong and with the expansion of the United Nations after the independence of many African countries in the 1960s might be tall order.
Trickier still would be telling this complex story, full of many characters and plot swerves, in a nonlinear manner while filling the screen with written clues providing context like a bibliography of an academic thesis.
Writer and director Johan Grimonprez sets himself a difficult task with “Soundtrack to a Coup d’Etat,” yet accomplishes it with astonishing success.
The film plays like both a dense historical text and a lively jazz concert while proving itself to be an invigorating piece of documentary filmmaking.
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