Courtney Howard It’s rare when a ripped-from-the-headlines adaptation fails to capitalize upon the wilder, weirder aspects of its real-life counterpart.
Yet that’s what happens in the case of director Austin Peters’ “Skincare,” which, to be fair, only claims to be a fictionalized version of the true-crime story of a successful celebrity aesthetician who allegedly hired a hitman to take out her competition.
What’s there borrows from the real scandal to lightly explore the feminine rage, jealousy and paranoia festering underneath a girl-boss gloss so prevalent in the early 2010s.
Through slick aesthetics bolstered by a sensational soundscape, the filmmakers build an entrancing, atmospheric mood piece. But given a few of its omissions, it’s questionable why the storytellers didn’t go in for the kill.
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