‘Sing Sing’ Review: Colman Domingo and a Cast of Ex-Criminals Demonstrate How Art Can Heal in Prison
variety.comStephen Saito Cages can’t contain the sheer amount of imagination on offer in “Sing Sing” — not just in the way director Greg Kwedar and his writing and producing partner Clint Bentley conceived of the prison-set drama, but also as an animating force among its characters.
Apart from Colman Domingo and a few others, most of the cast are formerly incarcerated alumni of the Rehabilitation Through the Arts program, which stages theatrical productions at New York’s Sing Sing Correctional Facility.
While inside the walls of a penitentiary, the amateur thespians are afforded the opportunity to step outside their worst offenses and simply inhabit another character for a change, someone who is likely to be more revealing of who they really are than their jail-issued fatigues will allow.
Drawing from their experience as volunteer teachers at correctional facilities, Kwedar and Bentley are conscious of the raw power of seeing these men transform before our eyes from hardened prisoners into playful performers.
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