grown more sophisticated and clever, you heave a sigh of relief to be handed a thriller that’s so dumb. There are lots of laughs at the gruesome deaths and a few solid shocks in director Derrick Borte’s film.
But look elsewhere for nuanced psychoanalysis or spirited political debate. And while, I grant you, the man-forgotten-by-society bit conjures Willy Loman, it’s more like “Death of a Salesman 2: Attention Must Be Slayed.”.
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