Nashen Moodley: Last News

Katherine Tulich After multiple delays due to COVID-19 disruptions, the Sydney Film Festival was Thursday finally able to announce a program for this year’s in-person event. It will now take place Nov.

Patrick Frater Asia Bureau Chief “Midnight Oil: The Hardest Line,” a documentary feature about the veteran Australian rock band Midnight Oil, has been set as the opening gala title at the Sydney Film Festival. It will have its world premiere at the State Theatre on June 5, kicking off the festival that runs until June 16. The film is written and directed by Paul Clarke and produced by Carolina Sorensen. It was executive produced by Mikael Borglund, Paul Clarke and Martin Fabinyi. It is a Blink TV and Beyond Entertainment feature documentary with principal production funding from Screen Australia and Australian Broadcasting Corporation in association with Screen NSW.

Patrick Frater Asia Bureau Chief These days Jane Campion – Palme d’Or and Oscar-winning film director – is celebrated for a vein of heartfelt cinema that is aching and quirky, rather than gushing. She’s also an intelligent and determined female pioneer who has had to struggle for her present standing in a male-dominated industry. The Sydney Film Festival this week is showcasing and contextualizing her body of work. Its screening program includes all nine of her feature works, from “Two Friends” to “The Power of the Dog,” and a selection of her short films. “For our 70th edition, we wanted to present a retrospective commensurate with the milestone, reflecting the audacious and boundary pushing filmmaking synonymous with our festival and region. There was no one more appropriate than Jane Campion,” said SFF director Nashen Moodley in notes ahead of the event.

Warwick Thornton, the First Nations Australian director, after the screening of his film “The New Boy,” a story of spirituality and survival set in 1940s, that was the opening night title of the Sydney Film Festival. “The energy you give back to these children…,” he said before tailing off. It was a churning, heartfelt moment that contrasted with Thornton’s bouncy earlier appearance on stage, when he joshed about having told the eight untrained school-age kids in his cast never to look directly at the camera while on set. And how he had to reverse that advice for when they, along with producer Kath Shelper, dominated the red carpet at Sydney’s grand State Theatre. Smile and wave for the paparazzi.

Patrick Frater Asia Bureau Chief The Sydney Film Festival will present ‘Jane Campion – Her Way,’ a retrospective of films by the pioneering director. Campion herself will appear in conversation with David Stratton on June 10 at the 2023 edition of the festival, its 70th anniversary presentation (June 7-18). Held in association with ACMI and the National Film and Sound Archive, ‘Jane Campion – Her Way’ will encompass screenings of all nine of Campion’s feature films, as well as a selection of her short films. The selection will go on to tour the ACMI in Melbourne (June 15 – July 2) and at NFSA in Canberra (July 20-30). “For our 70th edition, we wanted to present a retrospective commensurate with the milestone, reflecting the audacious and boundary pushing filmmaking synonymous with our festival and region. Campion is a ground-breaking filmmaker who has made a profound impact on cinema with her daring and unforgettable films,” said Sydney Film Festival director Nashen Moodley.

Patrick Frater Asia Bureau Chief The Sydney Film Festival, which this year will celebrate its 70th edition, has unveiled its first dozen selections. Seven are feature films, five are documentaries. “The 2023 program will expand on this legacy, promising to ignite stimulating dialogues and present powerful ideas that will broaden audience perspectives,” said festival director Nashen Moodley. He noted that over the previous 69 editions the Sydney festival has showcased more than 10,000 films. Highlights among the documentaries are two Australian titles. “Rachel’s Farm” follows actor-director Rachel Ward as she revitalizes her beef farm using sustainable farming practices. In “The Last Daughter” Wiradjuri woman Brenda Matthews documents her search to uncover the truth about her government-ordered abduction as a child and to find her white foster family. Both Matthews and Ward will attend the festival in person.

By Tom Grater